Sam and Shawnda, owners of the Los Olivos Wine Merchant & Café and Bernat Winery & Retreats, are long-time advocates of using fresh, locally sourced produce for the meals prepared by Chef Chris Joslyn in the Los Olivos Café kitchen. This passion has led them to focus on their own property and create the Los Olivos Café Farm. By utilizing their own land, they will now have the ability to grow many of the vegetables they need for the restaurant’s menu, flowers for arrangements on the tables and, as an extra bonus, offer extra produce canned into delicious, fresh product for sale exclusively in their Wine Merchant retail store. The opportunity to serve dishes incorporating vegetables picked from the field that morning, insures that guests dining at their restaurant will be enjoying produce at the peak of flavor.
Matt McCurdy, also employed at Windmill Nursery, will be working with Sam and Shawnda on the farm. Growing up in Santa Barbara and later moving to Ballard before leaving in 1992, in his 20’s Matt was an environmental activist focused on protecting the remaining ancient forests in Northern California and Oregon. In his 30’s he worked as a project manager building affordable housing for low-income families. After being laid off, he decided to go back to the environmental roots of his 20’s and combine that with the skills he had learned as a manager. He followed his passion and went to work for an Organic Nursery in Texas, Redenta’s Garden, where he learned the ins and outs of Organic farming from co-workers who held masters degrees in Horticulture. Since then, he has grown Organic vegetables in Texas, Northern California, and throughout the Santa Ynez Valley, converting lawn areas into vegetable gardens and raised beds. He is very excited that nine years later, his efforts are paying off with the opportunity to farm a large area.
The 3 acres of the Los Olivos Café Farm, under the management of Matt, will help to maintain the vital agricultural open space needed for the long-term success of the Santa Ynez Valley. Farmed Organically, everything will be watered through drip irrigation (no overhead spraying), weeding and harvesting will be done by hand, and there will be no use of GMO seeds, fertilizers, or pesticides. Matt explains, “The primary benefit of local Organic farming is the food being served on the plate is the freshest possible. The harvest from the farm is delivered the same day to the restaurant insuring the highest quality of flavor and nutrition. Health-wise, for example, the Organic Heirloom seeds I am planting are of a known heritage spanning decades and in some cases a century or more. There are a lot of unanswered questions about what GMO crops will produce generations from now and the possible side effect to our health and food supply. Growing Organically is how it has been done for thousands of years prior to the industrial revolution.”
Currently, the Los Olivos Café Farm is growing Black Beauty Zucchini, Golden Zucchini, Yellow Crookneck Squash, Golden Beets, Kabocha Squash, Butternut Squash, Delicata Squash, Buttercup Squash, a variety of carrots, various Green and Purple beans, Sunflowers, Zinnia’s, and Cosmos. In addition, salads will be created from the Romaine Lettuce, Red Sails Lettuce, Oak Leaf Lettuce, Toscano Kale, and Smooth Leaf Spinach, while cucumbers will be used for both fresh in salads and canned for pickles.
August 8 dawned with perfect weather for a late summer afternoon event celebrating locally sourced food and wine! Held at the Bernat Vineyard in Los Olivos under clear, blue skies with just the right amount of warmth; “In the Vineyard & On the Farm” was beautifully orchestrated by Sam and Shawnda Marmostein to showcase the bounty of their own vineyard and neighboring farm “The Garden Of…” owned by Shu and Debby Takikawa.
Moving toward the entrance, guests were first introduced to local artist George Lockwood, in the field, actively working on an original plein air oil painting featuring the long community dining table, set with bright umbrellas and intensely yellow sunflowers, freshly picked the day before, against the green leaves of the vineyard beyond. Conveniently situated nearby, guests were able to check back in as the afternoon progressed and George worked toward completion. The finished piece was offered up over dinner in an auction, eventually selling for $2,000, with proceeds going to support the Jewish Foundation.
At the check-in table, Shawnda warmly greeted each guest upon arrival, explaining the activities coming up and answering any questions before handing them a wine glass and encouraging them on toward the lawn overlooking the vineyard. The terraced gathering spot was the ideal location to relax and greet friends new and old after choosing a favorite varietal of Bernat or Tercero wine to sip. Tantalizing appetizers passed by the Los Olivos Café staff, hinted at the delicious farm fresh meal yet to come, while the casual atmosphere encouraged conversation among guests waiting for an opportunity to tour the vineyard with Sam.
Sam and Shawnda bought the property in 1995 and began planting their vineyard. Sam had been creating wine with friends, and he wanted to continue the practice using his own grapes. He enjoys the cycle of winemaking and the ability to gaze out of his windows overlooking the vineyard and instantly know what time of the year it is by the look of the vines. Currently they have 3 ½ acres of CCOF certified organic vines from which they produce a Rose, with Nebbiolo grapes grown on 19 year-old stock, and a Syrah each year for Bernat Estate Wines. Everything is done by hand; they pick the fruit and bring it up in buckets to the destemmer and then to ferment. Finally they press the grapes and after the wine has aged appropriately, they bottle on site. During the tour, Sam encouraged guests to taste the grapes currently going through veraison. Not quite ready for picking, Sam will continue to test them daily until he finds the optimal flavor and acid balance needed for award winning wine.
After the vineyard tour, the group was invited to take a ride on a flatbed trailer decked out with hay bale seats for a fun trip to the Takikawa farm next door. Shu Takikawa offered interesting insight into his organic farming practices. He has been a farmer for 32 years, and his expertise has resulted in produce that is sought after at Farmer’s markets and restaurants locally and in Los Angeles. The evening’s meal would start with a wonderful salad freshly picked from his fields and filled with baby lettuces, cherry tomatoes, pickled carrot, and Japanese Cucumbers.
With the return to the vineyard, guests were invited to take their seats at the community table. A Bernat Grenache Blanc 2012 from the Santa Ynez Valley, Camp 4 vineyard was poured to accompany Farmer Shu’s salad, brightly dressed with a tangy, tarragon vinaigrette with tarragon grown in Shawnda’s herb garden. The delightful beginning to the meal, paired with the cooling fresh air as the sun set behind the fields, encouraged new friendships between guests seating along the table. And, by the time the main meal was served, everyone felt as if they had been fast friends for many, many years.
In addition to Farmer Shu’s salad, Los Olivos Wine Merchant & Café’s Chef Chris Joslyn served a tender Hollister Ranch grass fed rib eye, garnished with seared tomatoes, green beans, and summer squash from Shu’s fields, along with basil olive oil smashed potatoes. Paired with Bernat’s ‘Intrigue’ 2010 Estate Syrah, guests lingered into twilight, until finishing the evening with a Lavender Panna Cotta, made with Lavender from Sam and Shawnda’s property, topped with locally sourced berry compote.
As dusk drew the event to a close, guests made their goodbyes and offered heart-felt thanks for a wonderful time to hosts Sam & Shawnda for a truly unforgettable evening.
When you combine the Los Olivos Wine Merchant & Café with Wes Hagen of Clos Pepe for a winemaker and pairing dinner, you get an exceptional culinary evening that is not only “UnTraditional” in it’s bold wine and food pairings, but an experience that leaves you surprisingly convinced that, as Wes claims, beer and wine truly are the foundations of all modern civilization.
The “UnTraditional” Winemaker and pairing dinner on June 7th started off with Wes introducing himself and promising to give, over the course of the evening, an explanation of each dish before it was served and, at some point, the history of why wine is the most important fermented beverage in the world…in 5-min. As an example, Wes emphasized the importance of gathering friends and family together around tables, such as those that evening, to share a good bottle of wine and linger to talk and connect in a way that is not possible through electronic gadgets. That face to face connection, enhanced by a glass or two or three of wine, often brings out the true natures of companions, and is a space where novel ideas can flow and alliances can be formed.
With the first course, Wes explained that he collaborated with Chef Chris Joslyn on a menu that would go beyond the usual, traditional pairings, and reach for courses that were a little outside the box; a little untraditional, but equally as complementary and delicious. Chef Joslyn’s team set the bar with the first plate, which featured a beautifully crafted Ahi, cucumber, and avocado mixture neatly tucked into a crispy sesame cornet. Light and slightly sweet, the amuse bouche paired beautifully with the Clos Pepe Estate 2013, “Axis Mundi Rose of Mourvedre.”
As the evening progressed that culinary bar got higher and higher. The appetizer was followed by a small plate which featured a Fanny Bay oyster beside a Short Rib croquette, paired with a steel barreled Clos Pepe Estate 2012 Chardonnay, “Homage to Chablis.” The third course brought the same pressed grapes back to the table, but this time having been fermented in an oak barrel so that guests could easily taste the difference between the two processes. Paired with grilled Longline Sword Fish, leeks, sweet corn, fingerling potato, and a lemon buerre fondue, the Clos Pepe Estate 2012 Chardonnay “Barrel Fermented” was the perfect compliment.
Moving on to the red wines, the fourth course introduced Clos Pepe Estate 2011 Pinot Noir to the table. Paired with a roasted chicken roulade, Oyster and Shitake mushrooms, braised chard, and chicken jus – the course melted in your mouth. A Cassoulet of pork sausage, pork confit, slab bacon, and duck confit was the feature of the fifth course. Neatly baked into small ramekins, this was the grand crescendo of the evening, and was excellently paired with the Clos Pepe Estate 2012 Pinot Noir.
Before the final course of assorted cheeses paired with an Olin 2007 Cabernet Sauvignon, Wes delivered on his promise to explain why wine was the most important booze in the world and was the reason we have advanced in our civilization. Perhaps it might have been a little more than 5-min, but no guest complained. They would have sat there for an hour more listening to Wes deliver his information in such an accessible, humorous style, and with such an infectious enthusiasm for life.
The Los Olivos Wine Merchant & Café has been offering quality dining for guests looking for excellent, freshly prepared food on a daily basis since 1995. Recently, they have expanded their service to bring that same level of expertise for intimate group experiences inside and outside the restaurant.
For those looking for a quiet place to meet, located in an exclusive section of the restaurant is a beautifully appointed room with rustic, wainscoted walls using recycled barn wood. The warm tones make this a perfect retreat for elegant private gatherings. Artwork on the walls creates additional charm, while a mounted high definition TV that can be used for presentations during corporate events or slide shows celebrating life moments, adds practical usability to the room. The Los Olivos Wine Merchant & Café is known for it’s inventive use of seasonal, locally sourced produce to create world-class signature dishes. Their knowledgeable and friendly staff is happy to assist in choosing wines and selecting a delicious customized menu to fit your budget
For off-site events, the Los Olivos Café will deliver everything needed for a successful dining experience with their new catering van. Serving up the flavors of the California Central Coast, private residences or businesses can now host a top notch dining experience direct from the kitchen of talented Executive Chef Chris Joslyn. In addition to working with staff to customize the menu, there is discount pricing available from the restaurants wine selection for all off-site events too.
The beautiful Santa Barbara Wine Country also offers many opportunities for an alfresco experience at a nearby park or winery. By calling ahead, a small group of 20 or more can order a 3 course gourmet lunch for delivery to any place with normal vehicle access in the Santa Ynez Valley or groups can pick up the budget friendly $20/per person lunch spread to take with them on their journey.
The Los Olivos Wine Merchant & Café celebrates the bounty of the region, offering the best of the local wines and working with nearby growers and farmers to insure each dish will be an exceptional and memorable experience for guests.
With spring launched, it’s time to take advantage of the clear skies and balmy weather of the Santa Ynez Valley. Get outside and enjoy our hiking trails, bike routes, and horseback riding opportunities, in addition to the many events and festivals, which are loved by locals and visitors alike!
A great weekend should begin with a Friday afternoon arrival. If you’re smart, you’ve planned ahead to check into one of the comfortable Bernat Vineyard & Winery Retreats. From this private property it is possible to begin exploring the nearby area right away either on foot, with one of the provided cruiser bikes, or…leave exploration to the days following and just relax into a comfy chair with a good book, a glass of wine, and enjoy the rural landscape views from your own private patio.
In the morning, a delicious weekend breakfast at the Los Olivos Wine Merchant & Cafe will jump-start the day. Executive Chef Chris Joslyn not only incorporates fresh, local produce into each dish, including local free range eggs for all the egg dishes, but also into the cocktails on the “Bubbly” menu. The “Seasonal Bellini” includes seasonal fruit puree, while the “Lavender Bubbles” is infused with house-made lavender syrup. These light and refreshing drinks set the palate for a wonderful dining experience.
The Los Olivos Café menu offers a variety of Farm Egg Scrambles and a Classic Breakfast in addition to more special items. While all of the menu items are expertly prepared, these few unusual standouts shouldn’t be missed. Offered as a stand alone item, the “Café Yeasted Waffle,” a secret recipe pulled from owner Shawnda’s own family, is also a perfect, shared appetizer. This incredibly light waffle literally melts in your mouth. Presented with a comfit of berries on top and a small pitcher of maple syrup on the side, each bite is pure joy. The “Shakshuka,” a local favorite, consists of two eggs perfectly simmered in tomato presse, side by side with a small salad of fresh baby greens topped with sliced avocado and exquisitely seasoned breakfast potatoes. The “French Toast Souffle” is a culinary masterpiece. Whipped together with cream cheese, baked, sliced, and then lightly toasted and presented with pecan butter and maple syrup, this hearty dish is impossible to resist.
Breakfast at the Los Olivos Café offers many small delicious surprises. From the toasted rustic, locally baked bread – paired with homemade jellies created by Jessica, wife of General Manager Matthew Negrete, to the chicken sausage made in-house, and even extending to the house-made ketchup; each bite has been well thought out by the Chef for your dining pleasure. For those looking for lighter fare, the house-made granola, plain yogurt, and fresh fruit is just the ticket.
For your weekend exploration:
The nearby town of Los Olivos offers many quality wine tasting rooms within easy walking distance of each other, in addition to boutique shopping, and fine dining. Established in 1887, the town was originally named after a nearby ranch that boasted 5,000 olive trees. An historical Walking Map can be picked up in town at most of the establishments or downloaded here. Using the map, visitors can take a self-guided tour and learn more about the colorful history of this quaint town.
Wine lovers often have the romantic notion that the land, the terroir, will always triumph above all else to dictate what grapes thrive where, and what defines a given region. In reality, economics and the fickle nature of the marketplace often play just as big of a role. Case in point: Santa Barbara County’s history with Riesling. The early reputation of our area, particularly cooler climate regions like Los Alamos, Santa Maria Valley, and the Sta. Rita Hills, owes a great deal to Riesling, back when you’d see it labeled as White Riesling or Johannisberg Riesling. Through the ‘90s and ‘00s, however, economics forced Riesling out in favor of Chardonnay and Pinot Noir. Riesling is now making its long overdue comeback thanks to a new generation of consumers, critics, and sommeliers championing this truly noble grape. I recently spoke with vintners in the area to discuss the history of Riesling, and its Teutonic brethren Gewurztraminer and Sylvaner, in our region, and their future in Santa Barbara County.
The story of Santa Barbara County Riesling begins in 1964 with Santa Maria Valley’s legendary Nielson Vineyard (now part of the Byron property). Soon after followed Rancho Sisquoc’s planting in the southeastern portion of the AVA. “A small test plot of Riesling was planted in 1968 and were the first grapes planted in any amount of acreage, followed by 9 acres in 1970,” says Sisquoc vineyard manager Ed Holt. Other early plantings include Firestone, Tepusquet (now part of Cambria), Curtis Vineyard’s Area 51 (now owned by Andrew Murray), Sanford & Benedict, Zaca Mesa, Lafond, Lucas & Lewellen, Babcock, Koehler, White Hills, and Gainey. Of these, Sisquoc, Lafond, Lucas & Lewellen, White Hills, Firestone, Curtis, Koehler, and Gainey have Riesling remaining. More recent plantings plantings include Coquelicot, Camp 4, La Presa, Brander’s Los Olivos Vineyard, and Fess Parker’s Rodney’s Vineyard in the Santa Ynez Valley; Ampelos in the Sta. Rita Hills; Riverbench in Santa Maria Valley; and Kick On Ranch (formerly known as Careaga Canyon) in western Los Alamos Valley. The latter vineyard is perhaps the most promising for modern Riesling in Santa Barbara County, with a critical mass of independent, cutting edge winemakers culling from this spectacular site.
The leader among this group is Graham Tatomer. Tatomer, a Santa Barbara native who fell in love with the grape after his first taste of an Alsatian Riesling, has built his Riesling-focused program around Kick On. “Kick On is by far the most important site I work with, and it’s a wonderful site,” says Tatomer. “It’s a long-term contract. Jeff Frey has done a great job farming the vineyard, but he leaves the executive decisions on my blocks to me, so I have complete control of the farming, from pruning to leafing to watering.” Tatomer focuses on Block B, a newer planting from the early 2000s. “I took B block because of greater vine density, it’s further up the hill, and it has a southwest exposure,” states Tatomer. “Great aspect, there’s sun but plenty of access to the wind as well… Jeff and I have been experimenting with weed control methods, trying to get closer to completely organic farming.” Tatomer produces two different renditions of Kick On. The vineyard designated bottling is lean, austere, inspired by Austria and Alsace yet uniquely California, with the mineral intensity of this site concentrated into a chiseled package. His Vandenberg bottling, on the other hand, is focused on botrytised fruit, mainly sourced from Kick On, and is comparatively plush, with more pronounced stone fruit aromatics while still capturing Kick On’s precise character. Other wonderful Kick On bottlings abound, from the bright and taut wines of Ojai, Municipal, Mes Amis, Stirm and J. Brix to the slightly off-dry expressions from Margerum and La Fenetre’s Josh Klapper under his Dr. Klapper moniker.
The most profound bottling of Kick On I had the pleasure of tasting in researching this article, though, came totally out of left field. Fred Brander’s Brander label has long utilized Kick On fruit as part of its Cuvee Natalie blend; in 2014, however, they chose to do a vineyard designated, varietal Riesling from Kick On. Winemaker Fabian Bravo casually shared this recently bottled wine with me this week after tasting through numerous soon-to-be-bottled Sauvignon Blanc tanks (which were great as always), and I was absolutely floored. Reminiscent of great Auslese-level Mosel Riesling- sites like Erdener Treppchen or Urziger Wurzgarten come to mind- this was wild, singular stuff. Notes of orange bitters, juniper, clove, Luxardo Maraschino, vanilla, cherry, even a perception of minerality reminiscent of the Mosel’s blue slate (though of course this is the glorious sand of Kick On) – the overall effect was reminiscent of my favorite classic cocktail, the Martinez, but with perfect balance and deceptively bright acid. Bravo explained that the unique character of this wine resulted from a new winemaking approach. “We stuck it in a tank that freezes the juice, then we turned the system off, cracked the valve, and basically concentrated the must, so almost reverse ice wine making,” laughs Bravo. “You do lose a lot of volume, probably 70% or more. It’s a slow process, someone sits there pulling off about a gallon an hour. Early brix will be up around 50 at that point with the first lots, and it will drop over time as we pull juice off. The resulting amount was so small that we fermented in beer kegs, and only ended up with 21 cases.” The wine instantly became a new benchmark for me, and is a testament to the talents of Bravo and the always-experimenting Fred Brander. If you can get your hands on a bottle of this precious nectar, consider yourself blessed.
Brander winemaker Fabian Bravo
Riesling’s other Teutonic compatriot, Gewurztraminer, has been particularly underappreciated in Santa Barbara County. Unlike the Riesling renaissance that has happened over the past few years, Gewurztraminer remains a marginal curiosity, as evidenced by the fact that there remain only three sites planted to the grape here: Jim Clendenen’s Le Bon Climat in Santa Maria, and White Hills and Alisos, both in Los Alamos. Los Alamos, with its less recognizable name and more affordable land, has proven to be a safe haven for many of these lesser-known varieties, and Gewurztraminer is no exception. In the hands of producers like Kunin, Bedford, and Tercero, it produces varietally classic, wonderfully expressive and food friendly wines. “My goal was always to make a wine that showed off the grape’s exotic bouquet, flavor profile and mouthfeel, but not to push the envelope style-wise as far as residual sugar or acidity,” says Seth Kunin. “I found that, with the exposure and mean temperatures at Alisos, we could get enough ripeness to achieve the lychee aromatics and rich mouthfeel while keeping the sugar levels low enough to ferment the wine dry.”
Tercero’s Larry Schaffer with his Outlier Gewurztraminer
Some of the most legendary Santa Barbara County Gewurztraminer came from a site that no longer has the variety planted: Babcock Vineyard. “The first grapes I ever crushed at the estate were Gewurztraminer,” recalls Bryan Babcock. “It came in late August of 1984.” The old guard of Sta. Rita Hills speaks of Babcock’s Gewurztraminers with the same awe reserved for the early vintages of Sanford & Benedict Pinot Noir or Au Bon Climat’s early Chardonnays, but there are, sadly, almost no bottles remaining of his Gewurz from this era. Along with Babcock’s Riesling, the Gewurztraminer developed phylloxera in the late ‘80s, and had to be pulled out. When the time came to replant, he went in a different varietal direction.
In the case of Riesling, “it’s one of the great conduits to terroir, but it didn’t hit the deep chord that it hits in Germany,” says Babcock. “It never felt world class like Pinot Noir and Chardonnay here does.” And while Gewurztraminer made gorgeous wines in a range of styles for Babcock, from dry and bright to late harvest expressions inspired by Alsace’s vendange tardive bottlings, it was ultimately too much of an uphill battle in the market. “In the late ‘80s, it wasn’t like it is now, where the public has been educated so much more and has been exposed to a lot of these lesser known varieties from around the world,” states Babcock. “Nobody could pronounce Gewurztraminer when I’d pour at tastings. Yeah, you can educate people, and yeah, it’s one of the world’s noble varieties, but I grew tired of being the educator.” Despite the modern interest in Gewurztraminer brought about by sommeliers’ love of its expression in Alsace, as well as the genetically linked Savagnin of the Jura, it doesn’t appear to be making a Santa Barbara County comeback any time soon. “Unfortunately, I do not see Gewurztraminer growing beyond its ‘niche’ status here in the Santa Barbara County area,” says Tercero’s Larry Schaffer. “The best places for it to be planted – much cooler climates like are seen in the Sta. Rita Hills – are also perfect to plant grapes that yield much higher dollars for the grapes themselves and the subsequent wines.”
The rarest curiosity in Santa Barbara County is Rancho Sisquoc’s planting of Sylvaner. Other than Sonoma County’s Scribe Winery, Sisquoc has the only planting of this variety in California. “6 acres of Sylvaner were planted in 1974,” says Sisquoc’s Ed Holt. “3 of the original acres are still in production, all own-rooted. We re-planted the other 3 acres in 2013 with plants from the original acreage.” Planted in a mix of Elder and Botella series soils, Sisquoc’s Sylvaner is gorgeous, with its acid perfectly balanced by a touch of sweetness, and remains one of the best (and most under-the-radar) values in Santa Barbara County. Sisquoc’s winemaker Sarah Holt Mullins says it’s a nightmare to deal with in the cellar, but is worth the effort. “It comes off the vine sticky, snotty and dense,” as she vividly describes it. “We put it through the ringer on its first day in the winery, sorting, crushing, must pumping and then finally pressing. It will only allow us to press it gently because it will squirt through any passage it can find in the press. Well worth the war for Sylvaner.”
One of the big questions with these grapes is whether to ferment the wine completely dry or leave some residual sugar. Santa Barbara County has traditionally produced mostly off-dry or late harvest styles, though the recent Riesling resurgence has favored drier wines. In the case of wines from the prized Kick On Ranch in particular, this often means Rieslings with almost punishing austerity, taut, saline expressions where the nearby ocean and the sandy soil underfoot are palpable on the palate. Yet those who have chosen off-dry expressions here, such as Brander or J. Brix’s petillant naturel sparkling Riesling, tap into a similar core of place with residual sugar that offsets this high tension, high acid vineyard beautifully. Ultimately, it is about balance, an idea that is, as with most things in wine, subjective.
The sun-dappled slopes of Kick On Ranch
“The sweetness of my Gewurztraminer varies each year depending upon a number of factors, with the main one being ‘mother nature’,” states Tercero’s Larry Schaffer. “When you ‘stick’ a fermentation by cooling it down and adding SO2, it is not an immediate process – yeast cells want to continue to do their thing. Therefore, the residual sugar levels in my wine are never the same from year to year.” Some of the oldest producers in the area, such as Rancho Sisquoc and Santa Barbara Winery, have crafted off-dry Rieslings for decades, speaking to the great demand this style has in the marketplace. These wines are often the gateway into appreciating wine for younger consumers, but make no mistake: these wines still strongly communicate a sense of place. “The sweet Riesling style is very popular in this area and in outside sales; it would be hard to market a dry after so many years of sweet,” says Sisquoc’s Holt Mullins. This balance between sugar and acid also allows the wines to age surprisingly well. Many of my most profound experiences with older California wines have been late harvest Rieslings from the late ‘70s and early ‘80s, often acquired at auction for $10-15. Many of those same wines are now $40-50 at auction, giving me hope for their continued growth in the vineyards and in the marketplace, if not for my pocketbook.
Beyond the crucial decision of sweetness, most of the winemakers I spoke with emphasized the relatively hands-off/subtle approach to working with these varieties in the cellar. “I hardly change anything from site to site,” says Tatomer. “I feel like those things get talked about more than they should. It’s very minor things, such as the level of crush I get on the material or the level of dissolved CO2 at bottling. My goal is to capture the best of these sites.” Ojai Vineyard’s Fabien Castel, who has been making lovely Rieslings from Kick On along with Ojai founder Adam Tolmach, has taken a similar hands-off approach, with the twist of crafting several different bottlings in different guises from the vineyard, ranging from their flagship dry bottling to experiments with botrytis and ice wine. “The variations around Riesling are more about us getting a good grasp on the potential for the site and the varietal. It is a byproduct of the way Adam is exploring vinification. The botrytis selection is maybe most compelling because it is rare and achieved great balance of sweetness and freshness. It has the varietal complexity of perfumes modulated by unusual earthy fragrances and concentration given by botrytis cinerea.” Riverbench’s Clarissa Nagy also began exploring this multi-pronged approach to Riesling with the 2014 vintage. “Our current release of Riesling is in an off-dry style. I have made a very small amount of completely dry Riesling as well. It’s a wine that is beautiful dry and off-dry. Vintage 2014 gave us perfect conditions for a Late Harvest Riesling too. We picked it at 38 Brix and hand sorted each cluster used. It has fabulous honeyed and botrytised notes.”
Santa Barbara County Riesling (and Gewurztraminer, and Sylvaner) is a thing of beauty. Throughout a range of styles it expresses site cleanly and clearly, communicating placein an unadorned fashion. From the mineral, brilliant wines of Tatomer to the exotic, innovative Riesling of Brander, from the experimentation of Ojai’s various bottlings to the old stalwarts of Sisquoc, SBC Riesling is distinctive and fresh. Graham Tatomer, who has staked his reputation on Riesling, sums up the mix of regret for Riesling lost, and hopefulness for Riesling’s future, in Santa Barbara County. “Riesling is the last noble grape that hasn’t really taken off yet in California. I hope to find a vineyard as great as Kick On going forward, but it’s a challenge. A lot of those amazing early plantings, like Sanford & Benedict and White Hills, are gone. But this grape has thrived because it truly makes some of the greatest wines on the planet.” Our region has something new to say about this legendary grape, and now more than ever there are winemakers broadcasting this unique voice loud and clear.
“This is what love is for
To be out of place”
– Wilco, “Impossible Germany”
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A comprehensive guide to Riesling, Gewurztraminer, and Sylvaner in Santa Barbara County, followed by a breakdown of soil types if you’re feeling particularly nerdy:
Santa Maria Valley – Clendenen Family- Le Bon Climat Estate Gewurztraminer
– Rancho Sisquoc- Estate Riesling and Sylvaner
– Riverbench- Estate Riesling
– Solminer– Sisquoc Vineyard Riesling – Tatomer- Sisquoc Vineyard Riesling
Los Alamos Valley – Bedford- Riesling and Gewurztraminer
– Brander- Kick On Ranch Riesling
– Daniel Gehrs– White Hills Vineyard Riesling and Gewurztraminer
– Dr. Klapper (La Fenetre)- Kick On Ranch Riesling
– J. Brix- Kick On Ranch Riesling and Pet Nat Riesling
– Kunin- Alisos Vineyard Gewurztraminer
– Lucas & Lewellen- Estate Riesling
– Margerum- Kick On Ranch Riesling
– Mes Amis- Kick On Ranch Riesling
– Municipal Winemakers- Kick On Ranch “Bright White”
– The Ojai Vineyard- Kick On Ranch Riesling (Special Botrytis and Ice Wine Bottlings as well)
– Stirm- Kick On Ranch Riesling
– Tatomer- Kick On Ranch Riesling, Vandenberg Riesling
– Tercero- “The Outlier” Gewurztraminer
Sta. Rita Hills – Lafond- Estate Riesling
– Santa Barbara Winery– Lafond Vineyard Riesling (several different bottlings)
– Tatomer- Lafond Vineyard Riesling
Santa Ynez Valley
– Brander- Los Olivos Vineyard Estate Riesling
– Demetria– Riesling
– Fess Parker- Rodney’s Vineyard Estate Riesling
– Firestone- Estate Riesling and Gewurztraminer
– Gainey- Estate Riesling
– Koehler- Estate Riesling
– Lo-Fi– Coquelicot Vineyard Riesling
SOIL TYPES: Santa Maria Valley Le Bon Climat
– Gewurztraminer- Sandy loam with some shale fragments in the upper slopes (Chamise, Garey, and Corralitos series)
Rancho Sisquoc
– Riesling- Shallow Pleasanton sandy/gravelly loam
– Sylvaner- Elder and Botella series, alluvial soil, more of a clay loam
Riverbench
– Riesling- Mocho sandy loam intermixed with gravel, ancient riverbed soil
Los Alamos Valley Alisos
– Gewurztraminer- Chamise shaly sandy loam
Kick On Ranch
– Riesling-Extremely sandy, with minor sandstone and shale fragments. Arnold and Betteravia series.
Lucas & Lewellen
– Riesling- Botella loam
White Hills
– Riesling and Gewurztraminer- Extremely sandy. Arnold, Betteravia, and Corralitos series.
Prior to my life in the wine business, I worked for a small record label based in Los Angeles called Plug Research. Operating an independent record label, and putting together a roster of artists that reflect a forward-thinking curator, is in many ways like creating a winery: the vineyards you work with are your artists, and your role in the cellar functions much like that of a producer, guiding your artists to their highest expression without losing the essence of what makes them special. David DeLaski, a veteran of the Los Angeles music scene, understands this concept better than anyone, as reflected in the beautiful wines he is making alongside his wife Anna under their new label, Solminer. I met the two of them at their vineyard and home in Los Olivos this past week to discuss life after the music business, organic farming, and winemaking with an eye toward the natural.
“Music is something you can get deeper and deeper into, with a great community, and there’s a bit of an obsession there,” says David DeLaski. “There are a lot of parallels with wine in that sense.” As both winemakers and musicians can attest, there is an all-consuming quality to these passions; once you’ve got the bug, you can think of nothing else. “I came to wine through my dad,” recalls David. “He was a businessman who enjoyed wine and so I got exposed to it at a very young age. I don’t have a cellar of old dusty bottles, though. I never became a big wine collector; wine was never a huge part of life until all this, until we started making wine. Some people are big collectors of music, but I was never an obsessive record collector; I loved to create it.”
Solminer did not begin with the grand ambitions of becoming the next cult winery or building a 10,000 case brand. Rather, it grew naturally out of the love of the craft of winemaking and the joy of farming. “Honestly, we weren’t quite sure how we’d fit into all this,” says David. “At first it was like ‘well, we’ll be weekenders and make a barrel of Gruner Veltliner.’ But you get sucked into this community in a really wonderful way. So we took a chance on it all, and we’re really glad we did.” The two also fortuitously connected with Steve Clifton of Palmina and Brewer-Clifton fame to guide the winemaking and help them focus their goals in the cellar. “We got hooked up with Steve because we loved his wines, and I think he was open to what we’re doing because it was something different, Gruner Veltliner,” recalls David. “If we were just another producer making Pinot Noir I don’t know if he would have been interested.”
While their first vintage of Gruner came from John Sebastiano Vineyard, going forward it will come entirely from their estate DeLanda Vineyard in Los Olivos. Their small home vineyard is a beautiful property, with a palpable energy that one can sense upon entering the driveway, originally planted entirely to Syrah when the DeLaskis took it over. Starting with a clean slate, they made the decisions to alter the varietal focus and to farm it organically, in large part because of concerns for their young son Linus. “The bottom line is, it was never a choice, because Linus is down there playing, in the vineyard, in the dirt,” emphatically states Anna. “So we decided from the beginning, if we have to deal with something, it’s going to be done organically.” The couple has also begun incorporating biodynamic practices in the vineyard, a philosophy which, again, grew out of the development they saw in their children first. “Our background in biodynamics comes from the side of Waldorf education, which has opened us up to a lot of ideas and philosophies that Steiner had,” says David. “My older boys go to a Waldorf school, and if our vines grow anything like they have, then maybe there’s something to Steiner’s philosophy.”
Though their vineyard still has quite a bit of Syrah planted, they’ve grafted increasing amounts to Blaufrankisch and Gruner Veltliner. Anna, a native of Austria’s famed Wachau region, guided the couple towards this decision to plant two of Austria’s most noble grapes, rarely seen outside of their homeland. They’re also making the unique choice to create a Blaufrankisch-Syrah blend, the first of its kind to my knowledge. “Adding a little Blaufrankisch to the Syrah is amazing,” smiles David. “Just 5 or 10%, it’s really cool.” Their winemaking, following along the lines of their farming approach, leans toward the natural, utilizing native yeasts, mostly neutral vessels, and minimal sulfur. “We never really made a conscious decision to be ‘natural winemakers’,” states David. “It’s kind of ingrained with the rest of our philosophy. The more I understood about the winemaking process, the more I started to taste the difference in those kinds of wine, and the more I taste them, I find myself drawn to them. I appreciate mistakes or natural occurrences from year to year.” The DeLaskis interpretation still means that there must be a core of deliciousness first and foremost; these wines are natural, but they are also clean, precise, and bright.
Tasting through the current Solminer lineup was a revelation. Their Gruner, utterly distinctive, seemed to marry the lentil and pepper notes the variety is known for with a textural weight reminiscent of Roussanne, as well as autumnal notes of baked apple and cinnamon. Their estate Syrah was also singular, sort of Crozes-Hermitage meets the Langhe in its marriage of iron, pepper, earth, and dried leaf. The star of the lineup, however, was their sparkling Syrah, “Nebullite”. It reminded me of one of my favorite wines on the planet, Camillo Donati’s Lambrusco. There was a living quality to the wine, imbued with the same notes of earth their still Syrah possessed along with extra dimensions of macerated raspberry and a thrilling sous bois, Balsamic character. “As a musician, I was never classically trained. I always liked to improvise, and to me, natural wine has that improvisatory nature, it’s like jazz.” To continue the jazz comparison, that sparkling Syrah was like the first time I heard Ornette Coleman’s The Shape of Jazz to Come: You either get it or you don’t, but if it speaks to you, it is an experience like no other.
When I first met Anna and David months ago here at the Café, I noticed their exuberance and air of positivity, qualities that were in abundance on my recent visit. One immediately senses that these are two people in love, living their dream, and that joy radiates through their wines. “The key was meeting Anna and coming here, and falling in love with her and with this place,” smiles David. “And then going to Austria together, and seeing how ingrained wine is in the culture and the community there. When we returned, we realized we had that same community here, and that we could create that same lifestyle in Santa Ynez.”
“If there is one overarching philosophy in my winemaking, it’s finding the middle path.” Nick de Luca, winemaker and co-owner of Ground Effect, is not expressing a desire to make middle of the road wines. Rather, he is referencing the enlightened Middle Path of Buddhist philosophy, where one transcends extremes to find a centered, balanced way of living. I had the opportunity to work under de Luca at Dierberg/Star Lane, and always found him to radiate this attitude, with a balance that is also reflected in the wines he is making. I sat down with him over coffee this past week to discuss his work at Ground Effect, as well as his new position as consulting winemaker for Richard Sanford’s Alma Rosa.
“I had this philosophy about terroir, and then I realized that I was making blends from all these different vineyards, which was kind of farcical,” laughs de Luca “so I’ve moved back to focusing on single sites and single varieties.” The initial idea behind Ground Effect was that the wines would be distinctive blends, which have been the trend up until 2014, and quite successfully I might add. Like many winemakers I’ve spoken with this year that are part of Santa Barbara County’s current winemaking generation, however, de Luca had to follow his muse regardless of the branding implications. “I switched up this year. It was hard to contract a ½ ton here, a ½ ton there, so I committed to 100% Chenin Blanc. And I also started working with Presqu’ile Syrah.” He has also focused his attention entirely on Santa Barbara County fruit. “I shifted out of Paso Robles because it’s just too far away,” he says.
The other major change for de Luca in 2014 was joining Richard Sanford and the venerable Alma Rosa label as consulting winemaker. “I got a call on a Wednesday, Richard and I had lunch on a Thursday, and I was signing papers Friday,” recalls de Luca of the fortuitous hiring. “It was really sudden and really exciting.” Sanford is a Sta. Rita Hills legend, and makes a great philosophical match for de Luca. “Richard Sanford is so committed to farming sensitively. He’s a big observer of Eastern philosophy, and there’s a lot to be said within that philosophy for finding personal balance and having that reflected in the wines.”
This desire to farm for balance leads de Luca to the topic of water, a subject that is on the mind of every Californian in these dry times. “Farming with less water is really important. We have to learn to pull these big crops with less water, or learn to live with smaller crops, and I hope the latter is true.” While the environmental need to conserve water is unquestionable, for de Luca, the desire to farm with as little water as possible extends not only to drought concerns, but to site representation. “Vines have a memory. You can totally delete terroir with irrigation. I think it’s important to think of it in those terms; you are deleting terroir.”
Stylistically, de Luca’s winemaking has seen a fairly dramatic shift over the past 5 years. While he gained fame at Dierberg for ripe, powerful wines, he has moved to a style that is brighter, fresher, with lower alcohols and, for my palate, more precise expressiveness. “I’m certainly not in the ripeness camp anymore. I don’t know where I fall. I try not to be overly self-conscious; I try to be true to the vintage.” While de Luca’s recent wines could certainly be grouped into the fashionable In Pursuit of Balance or Natural genres, he prefers not to follow dogma or fit easily into a particular clique. “I’m definitely not natural. If there’s one thing I’ve learned, it’s that when there’s a problem just fix it. I’m not scared of sulfur, I’m not scared of acid… I’d prefer to have all those things worked out in the vineyard, and not have to do that in the wine, and sometimes it works out that way; I think the best wines do work out that way. But if something goes wrong, I’m going to handle it.”
Alma Rosa’s wines have traditionally been fairly large scaled, but de Luca has approached his work there much as he has Ground Effect, with an eye toward balance. “I don’t like wines to be purely about fruit. That’s been my challenge at Alma Rosa, as the style has traditionally been more fruit-driven, so I want to find the balance between that fruit and the more interesting non-fruit aromatics the Sta. Rita Hills can give.” He is also a strong proponent of low yields, and feels that they are not only necessary for great wine, but for sustainable agriculture. Having observed yields shifting higher in the Sta. Rita Hills recently, a trend he is not fond of, he has worked with Sanford to keep their yields low, farming for intensity rather than tonnage. “It’s no secret that low yields make better wine; Europe has realized it for centuries,” states de Luca. “But people are getting greedy, and there’s a lot of overfarming going on out there.”
The wines of Ground Effect have found a devoted audience, and while they may not get as much press as some of de Luca’s more vociferous peers, they are some of the most mineral, intense, well balanced wines coming out of the New World. “The sad part to me is that the two extremes are what get the press,” he laments. “The ultra-ripe wines get the press, and the people on the extreme opposite end, in part because they’re bashing those ripe wines, get the press. And the people who are just trying to make good, middle path wines get looked over, and that’s too bad.” For my palate, the great wines of the world are found on this middle path; centered, balanced, and sure of what they have to say. While they may not have the immediate sexiness of the extreme, they possess a pure, unbridled joy within them, a soulfulness that makes casual wine drinkers have the “a-ha!” moment to make them wine obsessives. Open a bottle of Ground Effect’s 2012 “Gravity Check” and you’ll see exactly what I mean…
On Thursday September 18th, we’ll be hosting a dinner here at the Café featuring Bob Lindquist of Qupe, Jim Clendenen of Au Bon Climat, and Trey Fletcher of Bien Nacido Estate to celebrate 40 years of Bien Nacido Vineyard. It’s very rare to get this legendary brain trust in one place to share their stories, so it should be a pretty magical evening. Leading up to the dinner, I’ve been reflecting about what makes Bien Nacido so distinctive, and, in a larger sense, the things that make a vineyard special beyond the usual talk of soil and climate.
Beginning in 2008, I had the privilege of working at Bien Nacido for 2 ½ years as a cellar rat for Tantara, whose winery was located on the property. From our location in the central flats of the property, I could see our neighbors Ambullneo down the road (Dieter Cronje and Matt Murphy, who would go on to create the formidable Presqu’ile property, were part of the cellar team there at the time), and ABC and Qupe’s massive cellar across the river. Driving into work each morning, checking out the various blocks was a visual roll call of the who’s-who in Santa Barbara County winemaking: that slope is Foxen’s Block 8; that little wedge of Syrah belongs to Paul Lato; there’s Manfred from Sine Qua Non checking on his fruit. And of course, there were the legendary parcels made famous by the likes of u Bon Climat, Qupe, and Lane Tanner, each its own piece of history with a story to tell. Great vineyards have a certain energy to them, a soul if you will, and Bien Nacido is one of the most soulful sites I’ve had the opportunity to spend time in.
Where does this presence of place come from? I don’t think it’s something that can be separated from the human element. All of the factors that have come together in Bien Nacido- the passion of the Miller family, who founded the property and own it still; the fervent passion of Jim Clendenen, who spread the gospel of Bien Nacido throughout the world; the brilliant modern stewardship of vineyard manager Chris Hammell- have given form and voice to the natural elements of this piece of land in a way that is singular and special. A site whose natural factors suggest something merely good cannot be willed into greatness; by the same token, a site with the seeds of greatness can’t realize its potential without the vision of human beings like those mentioned above. In this way, wine may be the ultimate expression of the union between Mother Nature and Man.
If I were to use one word to describe the character of Bien Nacido Vineyard, it would be verve. Whether it is a late-picked, luscious Syrah, a spice-driven, lithe Pinot Noir, or a mineral, lean Melon, there is a brightness and vivaciousness that gives lift and precision to wines from this site. The cool climate of the Santa Maria Bench, coupled with calcium-rich shale soils, is a large part of the reason for this, though again, the personalities behind the wines are a huge factor. When one observes the passion and attention to detail given by Justin Willett of Tyler and Lieu Dit, or the acuity of Trey Fletcher for Bien Nacido’s estate program, it’s no surprise that this lively, precise quality can be tasted across the varietal spectrum.
There is a story in the soil, a voice waiting to be broadcast that will shout to the world the character of a great site. Bien Nacido is such a site, with translators who have managed to magnify and capture its unique personality. I look forward to hearing from Jim Clendenen, Trey Fletcher, and Bob Lindquist as they delve deeper into the story of Bien Nacido; no matter how much you think you know about a familiar place, there is also a new layer to be uncovered.
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To purchase tickets to our event Rock Steady: 40 Years of Bien Nacido Vineyard,
“Sauvignon Blanc is the poor bastard child grape, it’s just so unappreciated,” sighs Dragonette’s Brandon Sparks-Gillis. “And there’s just so many producers who treat it like sh*t, and who treat it as just this cash cow, turn-and-burn grape, which I think is part of why it has a bit of a bad reputation.” Sparks-Gillis is one of Santa Barbara County’s most vocal advocates for the nobility of Sauvignon Blanc. While the grape’s value-driven examples from California, the Loire Valley, and New Zealand are popular everyday choices for much of the wine-drinking populace, few bestow the grape with the praise reserved for, say, white Burgundy. The team at Dragonette is among the few lavishing Sauvignon Blanc with an intensity of farming and winemaking to rival the world’s greatest estates. This week I spoke with Brandon Sparks-Gillis and John Dragonette about their work with Sauvignon Blanc in Happy Canyon.
Great wine often requires context. While I’m a believer in the merits of blind tasting, particularly if one is seeking to identify typicity within a grape variety or a region, many of the world’s most unique and treasured wines don’t show their best in a blind setting. I would include Dragonette’s Sauvignon Blancs in this group. These are wines that not only require but deserve a few hours at table with the right food and enough time and air to explore their nuances, along with an understanding of the philosophical approach behind them. The concentration in the wines, along with the use of oak, puts them in the rarefied air of producers like Francois Cotat, Didier Dagueneau, and Yquem’s ‘Ygrec,’ wines that are similarly proportioned and walk the tightrope between voluptuousness and mineral intensity effortlessly. In a blind tasting, these stick out when poured next to more traditional and/or mundane renditions of the grape, which I believe is something to be celebrated, not maligned.
Brandon Sparks-Gillis
The wines of Dragonette would not be possible without the unique geological and climatic character of Happy Canyon. While their initial Sauvignon Blancs incorporated fruit from outside the AVA, they have now devoted themselves solely to this amazing region. “We were inspired by a pretty wide range of Sauvignon Blanc initially,” says Sparks-Gillis. “As we started to work with Vogelzang and Grassini (both in Happy Canyon), we were really interested in what they were giving us. And as we started tasting the wines, we saw that they definitely lean a little more towards a Bordeaux expression of Sauvignon Blanc.” Without a doubt, the closest analogue to the area is Bordeaux, particularly the bold examples from producers like Smith Haut Lafitte and Haut-Brion. And unlike Bordeaux, the Sauvignon Blancs of Happy Canyon don’t require the addition of Semillon. “We initially sought out Semillon,” states Sparks-Gillis, “but we found that the wines from here were already so round and rich that we didn’t need it.”
Harnessing the power of Happy Canyon and fine-tuning how to best channel the area’s site character in the vineyard and the winery has been Dragonette’s greatest achievement. “Our dogma is to have no dogma,” emphatically states Sparks-Gillis. “We’ve had lots that range from 11.5% alcohol to 15%, and that may lean more towards one direction or another depending on the vintage. We want to let the season speak rather than having a dogmatic approach to when we pick.” They have worked tirelessly in the vineyard to control canopy and yield, seeking tiny, concentrated clusters that can strike a balance between fruit and minerality. “Sauv is all about minerality. There should be a fruit component, but if it’s all about fruit it can often get flabby and boring.”
The wines are never the ripest examples from Happy Canyon, though they’re certainly not ultra-lean, early-picked examples. The team at Dragonette believes that the area finds its truest expression in-between those two extremes. “I think in general, Happy Canyon has leaned toward a riper style, and that’s often where we find the best representation of place,” states Sparks-Gillis. “If you ask most people about Sauvignon Blanc, a lot of the things they’ll talk about- herbaceousness, cat pee, high acid- yes, these are related somewhat to climate, but they’re also very much stylistic decisions related to stylized winemaking.” This slightly riper, more intense character has been a big factor in the wines’ ability to age gracefully as well. “Happy Canyon typically drifts into the 3.4-3.6 pH range, but the wines still show a lot of spine. I think part of that has to do with our lower yields. Without that intensity and concentration, these wines don’t have the bones to age.”
John Dragonette
The winemaking seeks to accent this concentration texturally and aromatically while preserving the minerality. Early experimentation with varying amounts of new oak has led them to what seems to be a relatively stable regime of 80% oak (of which only 10-20% is typically new) and 20% stainless steel, though again, the vagaries of vintage may shift these percentages. “A winemaking technique will often evolve from what someone who’s inspired us is doing, but ultimately we want to express the truth of Happy Canyon,” says John Dragonette. “For example, we’ve shifted to larger format cigar-shaped barrels similar to what Dagueneau is using, which is what most of our new oak is now, and that brings about a much slower evolution in the wines.” Rather than create wines defined by the spice or structural character of new barrels, they are using oak as a very subtle accent, with the ultimate goal of, again, emphasizing the site-driven character of Happy Canyon.
The two sites they are currently working with, Grassiniand Vogelzang, create very different wines despite their close proximity and similar soils. The Grassini shows a unique top note of very fresh coconut, along with kiwi, guava, and piercing minerality. Sparks-Gillis says the wine’s green label is a nod to the character of the site. “Grassini has a little more of a green spectrum to the fruit, which is not to say herbaceous or underripe. This is more just-barely-ripe pineapple, kiwi, more of a freshness.” Vogelzang on the other hand is very deserving of its yellow/orange label: The more exotic of the two, its notes of fig, papaya, and musk are incredibly sexy, and more importantly, utterly singular; in short, it is the essence of Happy Canyon.
In a piece I wrote on Happy Canyon Sauvignon Blanc a few months ago, I said that no one had quite nailed it yet. Maybe I was being a bit hard on the area, but that’s because I have such strong conviction that Happy Canyon is capable of producing some of the greatest single vineyard Sauvignon Blancs on the planet. Now that I’ve had the chance to experience the Grassini and Vogelzang bottlings from Dragonette, and more importantly had the chance to experience them in the proper context, I can honestly say that these guys are nailing it. Brandon Sparks-Gillis says there’s no magic formula; rather, their success is the sum of numerous small steps that elevate the wines to their highest expression. “Getting from mediocre wine to good wine is not that difficult, but getting from good to great can be an overwhelming amount of work. We feel like our wines are getting there, but 10 years from now I hope people can taste our wines blind in a lineup and say, ‘that’s Dragonette.’ And hopefully there’s an element of greatness there.”
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Sam and Shawnda, owners of the Los Olivos Wine Merchant & Café and Bernat Winery & Retreats, are long-time advocates of using fresh, locally sourced produce for the meals prepared by Chef Chris Joslyn in the Los Olivos Café kitchen. This passion has led them to focus on their own property and create the Los Olivos Café Farm. By utilizing their own land, they will now have the ability to grow many of the vegetables they need for the restaurant’s menu, flowers for arrangements on the tables and, as
an extra bonus, offer extra produce canned into delicious, fresh product for sale exclusively in their Wine Merchant retail store. The opportunity to serve dishes incorporating vegetables picked from the field that morning, insures that guests dining at their restaurant will be enjoying produce at the peak of flavor.
with the skills he had learned as a manager. He followed his passion and went to work for an Organic Nursery in Texas, Redenta’s Garden, where he learned the ins and outs of Organic farming from co-workers who held masters degrees in Horticulture. Since then, he has grown Organic vegetables in Texas, Northern California, and throughout the Santa Ynez Valley, converting lawn areas into vegetable gardens and raised beds. He is very excited that nine years later, his efforts are paying off with the opportunity to farm a large area.
served on the plate is the freshest possible. The harvest from the farm is delivered the same day to the restaurant insuring the highest quality of flavor and nutrition. Health-wise, for example, the Organic Heirloom seeds I am planting are of a known heritage spanning decades and in some cases a century or more. There are a lot of unanswered questions about what GMO crops will produce generations from now and the possible side effect to our health and food supply. Growing Organically is how it has been done for thousands of years prior to the industrial revolution.”
Currently, the Los Olivos Café Farm is growing Black Beauty Zucchini, Golden Zucchini, Yellow Crookneck Squash, Golden Beets, Kabocha Squash, Butternut Squash, Delicata Squash, Buttercup Squash, a variety of carrots, various Green and Purple beans, Sunflowers, Zinnia’s, and Cosmos. In addition, salads will be created from the Romaine Lettuce, Red Sails Lettuce, Oak Leaf Lettuce, Toscano Kale, and Smooth Leaf Spinach, while cucumbers will be used for both fresh in salads and canned for pickles.
