David Delaski has always been a unique and creative person, but passion is the essence of his personality that is infused into his winemaking for Solminer Wines. Passion leads to everything. It’s not just passion for great wine but for the whole of his life, and all his endeavors.
“Creative pursuits always called me. Wine is definitely one of those pursuits where you can be really creative.”
In 2009 David met his wife Anna, who had just moved to Los Angeles from Austria. The pair spent some time exploring wine regions of the world, including Anna’s home country of Austria. It was at that point in their lives they looked at each other and decided they wanted to pursue something in the wine industry. With the passion found while exploring wine regions, they “threw caution to the wind” and created Solminer.
Sol for sun and miner, to impart the idea of mining the sun, harvesting the bounty of things from the soil.
The couple found a farmhouse in Los Olivos which had 3 acres of Syrah planted. After much work, they had done it! Anna and David’s dream was now a reality. They are doing something so unique for Los Olivos, and California– they have taken from Anna’s heritage by planting two of Austria’s most famous grapes, Grüner Veltliner and Blaufränkisch. The vineyard now called DeLanda (a combination of their names, Delaski, Anna, and David) is 100% organically farmed, to protect their family and neighbors from harsh chemicals. In addition to grapes, the property has animals, including sheep, chickens, and donkeys! It’s a passion looking at the farm as a whole system. They are in the process of undergoing their certification for being a biodynamic winery.
“When you are standing out in the vineyard it gives you a moment of self-reflection.”
David goes to the vineyard to describe his winemaking process, “Start with well farmed organic grapes and do minimal interventions.” Their goal is to get the purest expression of the site as possible. Spending most of the time on farming and less time doing things to the wine during the winemaking process. The wines are created purely from the DeLanda vineyard, and really speak what the terroir and property are about, exploring.
Winemaker and Vineyard Manager, Erik Mallea of Mallea Wines has a remarkable talent for understanding the terroir of the vines he tends from which he creates his exquisite wines. As our featured winemaker for the month of January, Erik shared his foreseeable path to becoming a winemaker and the story behind his label.
Part One of our interview with Erik:
His love of farming took him to Oregon and New Zealand where he worked in viticulture and winemaking, but his fascination with fermentation began in his teen years back in his rural hometown in Minnesota with Chokecherries, apples, and oats. After receiving his Masters degree in Viticulture and Enology at Fresno State he came to Santa Barbara County in 2007 to pursue his career as a winemaker and vineyard manager. Currently managing vines for Sanford Winery and producing a stellar line up of wines for his and his wife, Amber’s, Mallea label.
“Observant” was the word Erik gave when asked to describe the part of his personality that gets infused into his winemaking. Instead of approaching winemaking with a specific style, Erik treats each vineyard with a unique approach that requires him to be observant of the land and the process. Mallea wines are sourced from five vineyards that Erik maintains from the ground up.
The thoughtful quality that can be tasted in every bottle can be experienced before the bottle is even opened. The coat of arms on the Mallea labels are a tribute to his father’s family coat of arms passed down from the Basque Country; the story behind this coat of arms takes you back into another time. If a wine label can influence the flavors and depths of character in a wine, either through it’s mere presence or the subtle feeling it evokes before sipping, then we suggest you listen to Part Two of our interview with Erik. The background story that makes up this coat of arms is inspiring and lives on not only in the Mallea family but also in the Basque region.
Larry Schaffer started off in the educational and trade publishing industry, but after a number of years felt he had finished everything he set out to do in that field, and started wondering about what was next. He had always been interested in winemaking, wondering how the process worked. How do you develop different wines from one grape varietal or another?
Learning more about winemaking was the challenge he was looking for, and he left his career to get a degree in Viticulture and Enology. After studying and working for years, Larry began his new career as the Enologist for Fess Parker Winery. He chose to settle in Santa Barbara County because of the openness of the winemaking community, their willingness to help each other, and because the Santa Ynez Valley is a great place to raise children.
After a year with Fess Parker, Larry started buying grapes to make his own wines, focusing on Rhone varietal wines under the label Tercero Wines. Tercero means “third” in Spanish, and the number three has many ties within Larry’s past and present. He was the third child in his family, he lived in the third dormitory complex at UC Davis, and he has three children of his own!
When asked, Larry describes his style of winemaking as “pragmatic”. He believes that if he’s done a blend correctly, the sum will be greater than the its parts. So, when he is putting his blends together, he’s never sure exactly what he’ll have. In his head, he’ll be thinking “This is going to add this and this is going to add this…” but in the end, sometimes it works out fine and sometimes it doesn’t. He believes that if he has done his job right, when one of his bottles is opened, he wants it to speak of the vintage, to speak of the vineyards that he worked with, the varieties he used, and he wants it to speak of his knowledge, education, or lack of knowledge – whatever it was that went into making that wine at that time. He says, “That’s an evolving process to me. My wines are never going to taste the same, or smell the same, and that’s ok! Because it’s going to hopefully be reflective of that time period when I made the wine. If I was going to be dogmatic, rather than pragmatic, I don’t think I would achieve that.”
Recently Shawnda Marmostein from the Los Olivos Wine Merchant & Café, sat down with Matt Brady of Jaffurs Wine Cellars to learn a bit more about his wine making journey. In 2005 Matt started in winetasting and then, when harvest came around, he jumped in to help out with the picking of the grapes. Working through that harvest, Matt was bitten by the winemaking bug and was subsequently offered a full-time position. He has been there ever since, enjoying the diverse opportunities afforded by a small winery. Over the years, he has moved through 7 different job titles including cellar master to assistant winemaker and, a little over a year ago – to his current position as co-winemaker with owner Craig Jaffurs. While most of his training has been on-the-job, Matt has also taken weekend wine chemistry classes at UC Davis. In 2009, he took a sabbatical to travel to Australia and created a vintage at “Two Hands Wines” in the Barossa Valley. Matt is very appreciative of the benefits of working in a small winery where the few employees have the opportunity to become familiar with all aspects of the business and wear a number of different hats.
Craig Jaffurs, owner of the winery, began a career as a cost analyst for an aerospace company in Santa Barbara. On his off hours, he started exploring winemaking and creating his own home wines, learning from one of his best friends, Bruce McGuire, who works at the Santa Barbara Winery. After working a couple of harvests with Bruce, Craig fell in love with winemaking. Based on the success of his first few home vintages, he launched his own commercial brand and, in 1994, began making the Thompson Vineyard Syrah. His started with a couple 100 cases – which received rave reviews from the Wine Spectator. This initial success got the ball rolling, and Craig started doubling production – making his wine at Central Coast Wine Services in Santa Maria through the year 2000. In 2001 Craig and his wife, Lee, bought the property where Jaffurs Wine Cellars is currently located. One block from the beach in Santa Barbara, the facility is off Milpas on Montecito St. After purchasing the property, the couple knocked down the little house on the site and began building their dream winery from the ground up. Visitors to the facility, which is open every day for tasting from 11am – 5pm, are in for a rare treat. The tasting room is located in the center of the production floor, surrounded by the tanks, barrels, and all the action. In fact, it is not uncommon for a casual winetasting to turn into an adventure for the lucky ones who come to taste and end up being invited to sort the grapes or do a little foot stomping – especially around harvest.
Matt related that Jaffurs philosophy is to have a minimalist approach. Beginning with great vineyards (strongly believing that the site trumps everything else), harvesting the best grapes they can get by hand, and working with vineyard managers so that everything is done to their specifications. They pick the grapes at night, trucking them to the winery in Santa Barbara by 7:00-8:00 in the morning. In the winery, the philosophy is “…to not do too much, so they don’t screw anything up.” Using a light touch, they hand sort the grapes, and employ gravity to move their wine, de-stemming most of their fruit without crushing it – while allowing for a small percentage to get whole cluster fermented before getting lightly foot stomped. Matt says, “We want our wines to be powerful and expressive, but we also want them to be elegant and balanced and together.” Currently Jaffurs has 25 acres of grape under contract, producing 5,000 cases, and 14 different wines. The produce small lots, with the majority of their wines being sold directly to their wine clubs. Matt feels, this gives them the opportunity to be “…a little more headstrong and experimental on what we want to do with our wines. Because we have a captive audience, so to speak, that are going to buy them – we can experiment with things like using more whole clusters or extending barreling.” Something larger wineries aren’t able to do, because they have to make the same thing every year. One of the things Matt is most excited about in 2016 is breaking some of their picks into multiple picks. For instance, if they target a harvest for a particular Wednesday, they will go in the Friday before to pick some of the grapes, pick the majority on that Wednesday, but then save some to be picked a few days later. This gives them some slightly varying levels of ripeness to work with – creating a way to increase complexity and add more layers to the wine. “Not the kind of thing a huge winery can do,” continues Matt. “but when you are small, agile, and dynamic- you get a winery team and winemaking staff that is excited to keep pushing the bar up and you get some really cool stuff!”
Matt loves his job. “Every year is different, every year we do some great experiments, every year your understanding of winemaking evolves. Things you thought you knew…you realize you don’t know. It’s one of those ever humbling processes. You get one chance at making wine each year and that’s pretty exciting.”
Learn more about Matt Brady and Jaffurs Wine Cellars from our interview at the Los Olivos Wine Merchant & Cafe.
The Los Olivos Wine Merchant & Café has been offering quality dining for guests looking for excellent, freshly prepared food on a daily basis since 1995. Recently, they have expanded their service to bring that same level of expertise for intimate group experiences inside and outside the restaurant.
For those looking for a quiet place to meet, located in an exclusive section of the restaurant is a beautifully appointed room with rustic, wainscoted walls using recycled barn wood. The warm tones make this a perfect retreat for elegant private gatherings. Artwork on the walls creates additional charm, while a mounted high definition TV that can be used for presentations during corporate events or slide shows celebrating life moments, adds practical usability to the room. The Los Olivos Wine Merchant & Café is known for it’s inventive use of seasonal, locally sourced produce to create world-class signature dishes. Their knowledgeable and friendly staff is happy to assist in choosing wines and selecting a delicious customized menu to fit your budget
For off-site events, the Los Olivos Café will deliver everything needed for a successful dining experience with their new catering van. Serving up the flavors of the California Central Coast, private residences or businesses can now host a top notch dining experience direct from the kitchen of talented Executive Chef Chris Joslyn. In addition to working with staff to customize the menu, there is discount pricing available from the restaurants wine selection for all off-site events too.
The beautiful Santa Barbara Wine Country also offers many opportunities for an alfresco experience at a nearby park or winery. By calling ahead, a small group of 20 or more can order a 3 course gourmet lunch for delivery to any place with normal vehicle access in the Santa Ynez Valley or groups can pick up the budget friendly $20/per person lunch spread to take with them on their journey.
The Los Olivos Wine Merchant & Café celebrates the bounty of the region, offering the best of the local wines and working with nearby growers and farmers to insure each dish will be an exceptional and memorable experience for guests.
In the Old World, farming grapevines without irrigation is the standard. Even on the Greek island of Santorini, which averages just 3-4 inches of rainfall per year, the vines are, miraculously, not irrigated. By comparison, Santa Barbara County’s average of 12 inches per year sounds like a deluge. Yet the vast majorities of vineyards in our area, as well as the rest of California, are irrigated. While grapevines require less water than many crops, the issue of water conservation in the vineyard is one that will need to be addressed more seriously in the coming years as our drought events become more frequent and extreme. This week I spoke with two of Santa Barbara County’s dry farming practitioners, Bill Wathen of Foxen and Peter Stolpman of Stolpman, about how they manage the challenges of dry farming and the character of the resulting wines.
The growing conditions at these two sites are strikingly different. At Stolpman Vineyards, in the heart of Ballard Canyon, “we are blessed to sit on a 3 foot layer of moisture and nutrient retaining clay with a 300ft deep slab of limestone beneath,” says Stolpman. “Not only does the clay retain moisture, but it also retains the cold temperatures of the night. The clay makes our land even better suited to dry-farming, as the impact of day-time heat is lessened.” Foxen’s Tinaquaic Vineyard, on the other hand, has much more challenging conditions, with a lot of sand, a soil whose extremely well-draining nature poses one of the greatest challenges for dry farming in Santa Barbara County. “The soil profile at Tinaquaic is a little magical, as in I don’t know how these vines do it every year with only annual rainfall,” states Wathen. “It is a deep sandy loam, unsure of the Series (ed. Note: the USDA soil map says it’s Arnold Sand), with pockets of Careaga sand. In years of normal rainfall the vine canopy can be quite aggressive, so there is a lot of retention. We generally average 2 to 3 tons per acre (3-4 pounds per vine) yields historically.” Amazingly, even in these difficult growing conditions, Wathen is able to get sustainable yields and make it work without water.
Spacing in vineyards where the goal is dry farming is an important factor. When one observes California’s historical vineyard plantings pre-1960s, which were essentially all dry farmed, spacing was very wide, and the vines were often untrellised. As modern farming has looked to top sites in the Old World such as Burgundy and their farming practices for inspiration, California’s vineyards have moved to much tighter spacing, often as tight as meter by meter, occasionally even closer. This poses much greater hurdles for dry farming as the competition for water increases. Stolpman, who has variable spacing on his property, believes that the type of trellis is just as important as the spacing. “Our spacing ranges from 10×5 to 3×3 in the vineyard. The 10×5 blocks certainly adapt the best to dry farming, but we’ve also seen positive results in our 3×3 block,” he says. “Key with the tightest spaced blocks is head-pruning and not expecting much yield per vine. The jury is still out regarding our conventional 3×6 blocks where the six foot rows allow us to trellis the vines. These vines are set up to carry more canopy and more clusters than the tighter head-pruned blocks.”
Wathen’s property has more space between vines, though he believes going even wider from the get go may have been more advantageous. “When Dick (Doré) and I planted Tinaquaic in 1989, we really didn’t think through the irrigation issue. We planted what was high density at the time (8X4), and assumed that water grew on trees here at the ranch,” Wathen states. “We were able to give each vine 1 gallon of water every 10 days through the first two growing seasons. After that, they seemed fine without water, so we changed strategy. Ideally, yet after the fact, we should have gone on a 10X10 or 12X12 planting without a trellis, enabling us to cross cultivate.”
Both sites utilize cover crops, and are very cognizant of the timing in planting and plowing. “We plant cover crop every year for erosion control and green manure,” says Wathen. “The cycle here goes 1) disc and plant cover crop after harvest. 2) Disc the cover crop under early to late spring, depending on the annual precipitation that year; dry years earlier, wet years later. 3) Disc and roll a few times late spring to seal the surface.”
With 3 years of drought, culminating in 2014’s extremely dry conditions, farming adjustments have been made at both sites to make dry farming possible. “We have elongated the weaning periods for younger vines,” Stolpman says. “This year for instance, we gave all of the vines 12 years and under an overnight drink once in January and February to imitate normal rainfall. We gave the very young vines another drink in April and early May. We only irrigate during root days and from our own measurements know that water goes 8-12 inches deeper into the Limestone with less Lunar gravity.” Wathen has also had to shift his approach. “This year has been extremely challenging balancing the canopy,” emphasizes Wathen. “You always need to be thinking about next year. Adjustment farming is the key. The rule of thumb is >20 inch shoot, 2 clusters. 12-20 inch shoot, 1 cluster. Less than 12 inch shoot, 0 clusters.”
So, is the character of dry farmed vines detectable in the glass? Wathen and Stolpman have different opinions on the subject. “We find we get a natural balance from dry-farmed vineyards as the vines regulate themselves,” says Stolpman. “Because of the lack of water, the vines want to go dormant in the fall, and we try to pick while the vine is on its last breath, giving us a perfectly ripe crop. Irrigated vines will continue green and happy, with no sense of the seasons, and winemakers may choose to pick much later at higher sugars.” Wathen has a different take. “I really have not seen any difference in ripening curves vs. irrigated fruit. Believe me though, if I had the water, I would irrigate.”
As a lover and seeker of site character in wine, the issue of dry farming is one I’m passionate about. There is a representation of vintage and place in these wines that can’t be denied. While I love many, many wines that come from irrigated vines, most of whom are also managing their water use meticulously, there is a truth in wines from completely dry farmed fruit that seems to set itself apart. “Balanced vines give balanced wines. Dry farming allows the vineyard to give a truer expression of itself rather than the more modern, homogenous approach of irrigating, green-dropping, and picking late,” emphasizes Stolpman. And when one tastes a bottle of Stolpman’s “Originals” Syrah or Foxen’s Tinaquaic Vineyard Cabernet Franc, it’s hard to argue this statement. I hope that the conversation about dry farming becomes a more prominent one in the future of Santa Barbara County, and that we can have an open dialogue about how water, or the lack thereof, will define our future as a wine culture.
A good wine captures its vineyard. A great wine captures its vineyard AND the personality of its winemaker. When I think of the wines that have inspired me- Didier Dagueneau’s various expressions of Pouilly-Fumé, Soldera’s Brunello, the Cabernet Sauvignon of Bob Travers at Mayacamas- I think of them not only as the essence of the place they grow, but as an encapsulation of their creators. To that list I would add Angela Osborne of A Tribute to Grace. She puts her heart and soul into every bottle, and one can sense her presence in the glass, a feminine, ethereal, joyful rendering of site and self. I spoke with her this week about her new spring release and the character that makes these wines so distinctive.
Cynicism is impossible around Angela Osborne. She radiates such positive energy that even when she discusses the more esoteric aspects of her winemaking philosophy or her views on farming, there is such genuine belief and lack of artifice that one can’t help but be compelled. Take the hummingbirds that grace the corks of her current vintage. “The Chumash believe the hummingbird represents the grandmother energy, and both of my grandmothers became angels last year, so now they watch over all the bottles of Grace,” says Osborne. “There were 13,776 hummingbirds that came into the world this vintage, which was really powerful for me.” It is these little details- imbuing something as mundane as a cork with so much love- that make her wines stand out.
This detail-oriented approach extends to the winemaking. Her varied experiments in the cellar are some of the most thought-out and intriguing I have seen. Techniques that may have worked in past vintages will be altered or abandoned completely if the current vintage or a burst of inspiration calls for it. Her new release is a great example of this, in particular her Grenache rosé. Angela’s 2013 is a wildly different take than her 2012. The ’12 came from Coghlan Vineyard on the western fringe of Happy Canyon, was aged in large neutral oak puncheons, and went through full malolactic fermentation, making for a rosé with heft and richness. The ’13? “The 2013 spent 24 hours on the skins, and then fermented cold in stainless, aged entirely in stainless, no ML. It’s also from the Highlands this year. Bottled on my birthday, March 3rd.” Despite the critical acclaim she received for her previous rosé, she felt the need to do a total 180 and explore a new winemaking approach. “I really liked the ’12, it was really soft and approachable, but I wanted to experiment this year with something a little higher acid, especially working with the Highlands. It feels like it’s got lighter feet, a bit more playful, which suits me at the moment.”
The Highlands that she speaks of is the Santa Barbara Highlands Vineyard. It is a site so perfectly suited to Osborne’s style, and her chosen medium of Grenache, that it’s difficult to imagine her without the Highlands and vice versa. Located on the eastern edge of Santa Barbara County, in Ventucopa, this lunar-looking site is one of the most unique in California. “It doesn’t really feel of this world. It’s very moon like. Kind of silences you a bit,” says Osborne. At 3200 feet elevation, and subject to an extreme continental climate, it is separated into two sections: the valley floor and the Mesa. Angela’s single vineyard Grenache has typically been a mix of both, but with 2012, she has shifted to utilizing entirely Mesa fruit, with the valley floor being used for rosé and her Santa Barbara County blend. While the valley floor is very sandy, the soils of the mesa are loamier, and, more importantly, laced with igneous rocks- basalt, quartz, gneiss, and granite- making for soil conditions that are singular within Santa Barbara County.
“The ’12 has an entirely different tannic structure. This is the first year I’ve bottled the Mesa by itself, and there’s much more strength there. It’s 50% whole cluster, whereas my valley floor blocks are all destemmed,” says Osborne. Her Grenache from the Highlands has always been noted for its delicate nature and elegant texture, though she doesn’t worry about losing this with the addition of whole cluster; rather, she is seeking more structure, with the hope of giving the wines the ability to age like the great Chateauneufs, particularly Chateau Rayas, which she admires. “I’ve yet to come to a point where the whole cluster becomes too much. I hope it will give longevity, in a different way energetically than acid, but hopefully with the same ability to age. I don’t want it to be overt, but I love the spice of Grenache, and I feel a lot of that comes from whole cluster.” She also chooses to make the stylistic separation in the cellar between her varying lots of whole cluster or destemmed fruit in typically creative fashion. “I always separate the fermentations into whole cluster, layered, destemmed, and whole cluster and destemmed,” says Osborne. “I label my barrels as sun and moon, because I feel the moon energy is represented by the whole cluster, and the sun is the fruit. So each barrel lists percentages of sun and moon.”
The future for A Tribute to Grace is wide open. The Osborne clan is hoping to eventually split their time between Santa Barbara County and Angela’s home country, New Zealand, working two harvests a year, having a small patch of land to call their own, and raising a family. It’s a goal that, like the wines of A Tribute to Grace, is beautiful and true.
In the heart of Santa Barbara Wine Country, we are the premier wine merchant for California Central Coast wines, from Santa Barbara County to Monterey County, with select vintages from other areas of California’s Wine Country and noteworthy wines from around the world.
We’d love to share wine country musings, events, and special offers with you. No need to worry about getting inundated with emails from us, we only send them about once a month both from the Café and the Wine Merchant.
