Wine lovers often have the romantic notion that the land, the terroir, will always triumph above all else to dictate what grapes thrive where, and what defines a given region. In reality, economics and the fickle nature of the marketplace often play just as big of a role. Case in point: Santa Barbara County’s history with Riesling. The early reputation of our area, particularly cooler climate regions like Los Alamos, Santa Maria Valley, and the Sta. Rita Hills, owes a great deal to Riesling, back when you’d see it labeled as White Riesling or Johannisberg Riesling. Through the ‘90s and ‘00s, however, economics forced Riesling out in favor of Chardonnay and Pinot Noir. Riesling is now making its long overdue comeback thanks to a new generation of consumers, critics, and sommeliers championing this truly noble grape. I recently spoke with vintners in the area to discuss the history of Riesling, and its Teutonic brethren Gewurztraminer and Sylvaner, in our region, and their future in Santa Barbara County.
The leader among this group is Graham Tatomer. Tatomer, a Santa Barbara native who fell in love with the grape after his first taste of an Alsatian Riesling, has built his Riesling-focused program around Kick On. “Kick On is by far the most important site I work with, and it’s a wonderful site,” says Tatomer. “It’s a long-term contract. Jeff Frey has done a great job farming the vineyard, but he leaves the executive decisions on my blocks to me, so I have complete control of the farming, from pruning to leafing to watering.” Tatomer focuses on Block B, a newer planting from the early 2000s. “I took B block because of greater vine density, it’s further up the hill, and it has a southwest exposure,” states Tatomer. “Great aspect, there’s sun but plenty of access to the wind as well… Jeff and I have been experimenting with weed control methods, trying to get closer to completely organic farming.” Tatomer produces two different renditions of Kick On. The vineyard designated bottling is lean, austere, inspired by Austria and Alsace yet uniquely California, with the mineral intensity of this site concentrated into a chiseled package. His Vandenberg bottling, on the other hand, is focused on botrytised fruit, mainly sourced from Kick On, and is comparatively plush, with more pronounced stone fruit aromatics while still capturing Kick On’s precise character. Other wonderful Kick On bottlings abound, from the bright and taut wines of Ojai, Municipal, Mes Amis, Stirm and J. Brix to the slightly off-dry expressions from Margerum and La Fenetre’s Josh Klapper under his Dr. Klapper moniker.
The most profound bottling of Kick On I had the pleasure of tasting in researching this article, though, came totally out of left field. Fred Brander’s Brander label has long utilized Kick On fruit as part of its Cuvee Natalie blend; in 2014, however, they chose to do a vineyard designated, varietal Riesling from Kick On. Winemaker Fabian Bravo casually shared this recently bottled wine with me this week after tasting through numerous soon-to-be-bottled Sauvignon Blanc tanks (which were great as always), and I was absolutely floored. Reminiscent of great Auslese-level Mosel Riesling- sites like Erdener Treppchen or Urziger Wurzgarten come to mind- this was wild, singular stuff. Notes of orange bitters, juniper, clove, Luxardo Maraschino, vanilla, cherry, even a perception of minerality reminiscent of the Mosel’s blue slate (though of course this is the glorious sand of Kick On) – the overall effect was reminiscent of my favorite classic cocktail, the Martinez, but with perfect balance and deceptively bright acid. Bravo explained that the unique character of this wine resulted from a new winemaking approach. “We stuck it in a tank that freezes the juice, then we turned the system off, cracked the valve, and basically concentrated the must, so almost reverse ice wine making,” laughs Bravo. “You do lose a lot of volume, probably 70% or more. It’s a slow process, someone sits there pulling off about a gallon an hour. Early brix will be up around 50 at that point with the first lots, and it will drop over time as we pull juice off. The resulting amount was so small that we fermented in beer kegs, and only ended up with 21 cases.” The wine instantly became a new benchmark for me, and is a testament to the talents of Bravo and the always-experimenting Fred Brander. If you can get your hands on a bottle of this precious nectar, consider yourself blessed.
Riesling’s other Teutonic compatriot, Gewurztraminer, has been particularly underappreciated in Santa Barbara County. Unlike the Riesling renaissance that has happened over the past few years, Gewurztraminer remains a marginal curiosity, as evidenced by the fact that there remain only three sites planted to the grape here: Jim Clendenen’s Le Bon Climat in Santa Maria, and White Hills and Alisos, both in Los Alamos. Los Alamos, with its less recognizable name and more affordable land, has proven to be a safe haven for many of these lesser-known varieties, and Gewurztraminer is no exception. In the hands of producers like Kunin, Bedford, and Tercero, it produces varietally classic, wonderfully expressive and food friendly wines. “My goal was always to make a wine that showed off the grape’s exotic bouquet, flavor profile and mouthfeel, but not to push the envelope style-wise as far as residual sugar or acidity,” says Seth Kunin. “I found that, with the exposure and mean temperatures at Alisos, we could get enough ripeness to achieve the lychee aromatics and rich mouthfeel while keeping the sugar levels low enough to ferment the wine dry.”
Some of the most legendary Santa Barbara County Gewurztraminer came from a site that no longer has the variety planted: Babcock Vineyard. “The first grapes I ever crushed at the estate were Gewurztraminer,” recalls Bryan Babcock. “It came in late August of 1984.” The old guard of Sta. Rita Hills speaks of Babcock’s Gewurztraminers with the same awe reserved for the early vintages of Sanford & Benedict Pinot Noir or Au Bon Climat’s early Chardonnays, but there are, sadly, almost no bottles remaining of his Gewurz from this era. Along with Babcock’s Riesling, the Gewurztraminer developed phylloxera in the late ‘80s, and had to be pulled out. When the time came to replant, he went in a different varietal direction.
In the case of Riesling, “it’s one of the great conduits to terroir, but it didn’t hit the deep chord that it hits in Germany,” says Babcock. “It never felt world class like Pinot Noir and Chardonnay here does.” And while Gewurztraminer made gorgeous wines in a range of styles for Babcock, from dry and bright to late harvest expressions inspired by Alsace’s vendange tardive bottlings, it was ultimately too much of an uphill battle in the market. “In the late ‘80s, it wasn’t like it is now, where the public has been educated so much more and has been exposed to a lot of these lesser known varieties from around the world,” states Babcock. “Nobody could pronounce Gewurztraminer when I’d pour at tastings. Yeah, you can educate people, and yeah, it’s one of the world’s noble varieties, but I grew tired of being the educator.” Despite the modern interest in Gewurztraminer brought about by sommeliers’ love of its expression in Alsace, as well as the genetically linked Savagnin of the Jura, it doesn’t appear to be making a Santa Barbara County comeback any time soon. “Unfortunately, I do not see Gewurztraminer growing beyond its ‘niche’ status here in the Santa Barbara County area,” says Tercero’s Larry Schaffer. “The best places for it to be planted – much cooler climates like are seen in the Sta. Rita Hills – are also perfect to plant grapes that yield much higher dollars for the grapes themselves and the subsequent wines.”
The rarest curiosity in Santa Barbara County is Rancho Sisquoc’s planting of Sylvaner. Other than Sonoma County’s Scribe Winery, Sisquoc has the only planting of this variety in California. “6 acres of Sylvaner were planted in 1974,” says Sisquoc’s Ed Holt. “3 of the original acres are still in production, all own-rooted. We re-planted the other 3 acres in 2013 with plants from the original acreage.” Planted in a mix of Elder and Botella series soils, Sisquoc’s Sylvaner is gorgeous, with its acid perfectly balanced by a touch of sweetness, and remains one of the best (and most under-the-radar) values in Santa Barbara County. Sisquoc’s winemaker Sarah Holt Mullins says it’s a nightmare to deal with in the cellar, but is worth the effort. “It comes off the vine sticky, snotty and dense,” as she vividly describes it. “We put it through the ringer on its first day in the winery, sorting, crushing, must pumping and then finally pressing. It will only allow us to press it gently because it will squirt through any passage it can find in the press. Well worth the war for Sylvaner.”
One of the big questions with these grapes is whether to ferment the wine completely dry or leave some residual sugar. Santa Barbara County has traditionally produced mostly off-dry or late harvest styles, though the recent Riesling resurgence has favored drier wines. In the case of wines from the prized Kick On Ranch in particular, this often means Rieslings with almost punishing austerity, taut, saline expressions where the nearby ocean and the sandy soil underfoot are palpable on the palate. Yet those who have chosen off-dry expressions here, such as Brander or J. Brix’s petillant naturel sparkling Riesling, tap into a similar core of place with residual sugar that offsets this high tension, high acid vineyard beautifully. Ultimately, it is about balance, an idea that is, as with most things in wine, subjective.
“The sweetness of my Gewurztraminer varies each year depending upon a number of factors, with the main one being ‘mother nature’,” states Tercero’s Larry Schaffer. “When you ‘stick’ a fermentation by cooling it down and adding SO2, it is not an immediate process – yeast cells want to continue to do their thing. Therefore, the residual sugar levels in my wine are never the same from year to year.” Some of the oldest producers in the area, such as Rancho Sisquoc and Santa Barbara Winery, have crafted off-dry Rieslings for decades, speaking to the great demand this style has in the marketplace. These wines are often the gateway into appreciating wine for younger consumers, but make no mistake: these wines still strongly communicate a sense of place. “The sweet Riesling style is very popular in this area and in outside sales; it would be hard to market a dry after so many years of sweet,” says Sisquoc’s Holt Mullins. This balance between sugar and acid also allows the wines to age surprisingly well. Many of my most profound experiences with older California wines have been late harvest Rieslings from the late ‘70s and early ‘80s, often acquired at auction for $10-15. Many of those same wines are now $40-50 at auction, giving me hope for their continued growth in the vineyards and in the marketplace, if not for my pocketbook.
Beyond the crucial decision of sweetness, most of the winemakers I spoke with emphasized the relatively hands-off/subtle approach to working with these varieties in the cellar. “I hardly change anything from site to site,” says Tatomer. “I feel like those things get talked about more than they should. It’s very minor things, such as the level of crush I get on the material or the level of dissolved CO2 at bottling. My goal is to capture the best of these sites.” Ojai Vineyard’s Fabien Castel, who has been making lovely Rieslings from Kick On along with Ojai founder Adam Tolmach, has taken a similar hands-off approach, with the twist of crafting several different bottlings in different guises from the vineyard, ranging from their flagship dry bottling to experiments with botrytis and ice wine. “The variations around Riesling are more about us getting a good grasp on the potential for the site and the varietal. It is a byproduct of the way Adam is exploring vinification. The botrytis selection is maybe most compelling because it is rare and achieved great balance of sweetness and freshness. It has the varietal complexity of perfumes modulated by unusual earthy fragrances and concentration given by botrytis cinerea.” Riverbench’s Clarissa Nagy also began exploring this multi-pronged approach to Riesling with the 2014 vintage. “Our current release of Riesling is in an off-dry style. I have made a very small amount of completely dry Riesling as well. It’s a wine that is beautiful dry and off-dry. Vintage 2014 gave us perfect conditions for a Late Harvest Riesling too. We picked it at 38 Brix and hand sorted each cluster used. It has fabulous honeyed and botrytised notes.”
Santa Barbara County Riesling (and Gewurztraminer, and Sylvaner) is a thing of beauty. Throughout a range of styles it expresses site cleanly and clearly, communicating placein an unadorned fashion. From the mineral, brilliant wines of Tatomer to the exotic, innovative Riesling of Brander, from the experimentation of Ojai’s various bottlings to the old stalwarts of Sisquoc, SBC Riesling is distinctive and fresh. Graham Tatomer, who has staked his reputation on Riesling, sums up the mix of regret for Riesling lost, and hopefulness for Riesling’s future, in Santa Barbara County. “Riesling is the last noble grape that hasn’t really taken off yet in California. I hope to find a vineyard as great as Kick On going forward, but it’s a challenge. A lot of those amazing early plantings, like Sanford & Benedict and White Hills, are gone. But this grape has thrived because it truly makes some of the greatest wines on the planet.” Our region has something new to say about this legendary grape, and now more than ever there are winemakers broadcasting this unique voice loud and clear.
“This is what love is for
To be out of place”
– Wilco, “Impossible Germany”
A comprehensive guide to Riesling, Gewurztraminer, and Sylvaner in Santa Barbara County, followed by a breakdown of soil types if you’re feeling particularly nerdy:
Santa Maria Valley – Clendenen Family- Le Bon Climat Estate Gewurztraminer
– Rancho Sisquoc- Estate Riesling and Sylvaner
– Riverbench- Estate Riesling
– Solminer– Sisquoc Vineyard Riesling – Tatomer- Sisquoc Vineyard Riesling
Los Alamos Valley – Bedford- Riesling and Gewurztraminer
– Brander- Kick On Ranch Riesling
– Daniel Gehrs– White Hills Vineyard Riesling and Gewurztraminer
– Dr. Klapper (La Fenetre)- Kick On Ranch Riesling
– J. Brix- Kick On Ranch Riesling and Pet Nat Riesling
– Kunin- Alisos Vineyard Gewurztraminer
– Lucas & Lewellen- Estate Riesling
– Margerum- Kick On Ranch Riesling
– Mes Amis- Kick On Ranch Riesling
– Municipal Winemakers- Kick On Ranch “Bright White”
– The Ojai Vineyard- Kick On Ranch Riesling (Special Botrytis and Ice Wine Bottlings as well)
– Stirm- Kick On Ranch Riesling
– Tatomer- Kick On Ranch Riesling, Vandenberg Riesling
– Tercero- “The Outlier” Gewurztraminer
Sta. Rita Hills – Lafond- Estate Riesling
– Santa Barbara Winery– Lafond Vineyard Riesling (several different bottlings)
– Tatomer- Lafond Vineyard Riesling
Santa Ynez Valley
– Brander- Los Olivos Vineyard Estate Riesling
– Demetria– Riesling
– Fess Parker- Rodney’s Vineyard Estate Riesling
– Firestone- Estate Riesling and Gewurztraminer
– Gainey- Estate Riesling
– Koehler- Estate Riesling
– Lo-Fi– Coquelicot Vineyard Riesling
SOIL TYPES: Santa Maria Valley Le Bon Climat
– Gewurztraminer- Sandy loam with some shale fragments in the upper slopes (Chamise, Garey, and Corralitos series)
– Riesling- Shallow Pleasanton sandy/gravelly loam
– Sylvaner- Elder and Botella series, alluvial soil, more of a clay loam
– Riesling- Mocho sandy loam intermixed with gravel, ancient riverbed soil
Los Alamos Valley Alisos
– Gewurztraminer- Chamise shaly sandy loam
Kick On Ranch
– Riesling-Extremely sandy, with minor sandstone and shale fragments. Arnold and Betteravia series.
Lucas & Lewellen
– Riesling- Botella loam
– Riesling and Gewurztraminer- Extremely sandy. Arnold, Betteravia, and Corralitos series.
In the past decade, Santa Barbara County has exploded with AVAs, and rightfully so. As we’ve tasted the wines and analyzed the nuances of soil and climate throughout our region, we have begun to carve out special sub-regions of note that have a distinctive voice. In addition to our early AVAs of Santa Maria Valley (est. 1981) and Santa Ynez Valley (est. 1983), we have Sta. Rita Hills (est. 2001), Happy Canyon of Santa Barbara (est. 2009), Ballard Canyon (est. 2013) and the pending Los Olivos District (likely to be established by 2015). Yet one of the County’s most historic regions remains without a designation of any kind: the Los Alamos Valley. This past week I spoke with numerous winemakers and farmers who have worked over the years with Los Alamos Valley fruit to hear their thoughts on the site character of Los Alamos, its various subzones, and the idea of an AVA. When researching a region, I always start with soil; my love lies in the dirt. Los Alamos, like most great regions, has a wealth of exciting soils. Shale, clay, sand, gravel, sandstone, and a bit of limestone can be found in various pockets. This variability within the region has led some to suggest that rather than a single AVA, the area should be broken down into several smaller AVAs. “I do think it would have to be broken down for it to be true to definition, and that in itself might make it less feasible or practical to do so,” says Seth Kunin of Kunin Wines. There is also a notable difference in temperature between the valley’s west end near Vandenberg Air Force Base, which can be quite chilly, and the eastern end near Alisos Canyon, where things heat up. Broadly speaking, Los Alamos Valley is 10 degrees cooler on average than Santa Ynez Valley, and 10 degrees warmer than Santa Maria, though again, there are more subtle nuances from east to west. As a result of these variations in soil and climate, it is difficult to pinpoint a single variety for the region to hang its hat on. Much like Santa Maria to its north or Santa Ynez to its south, Los Alamos has a multitude of varietal voices that express this place.
Starting in the east, near the northern boundary of the Santa Ynez Valley AVA, we find perhaps the area’s most acclaimed sub-region: Alisos Canyon. Running east of Highway 101 along Alisos Canyon Road, this area is paradise for Rhone varieties, though Cabernet Franc and Gamay also have potential. The canyon is home to the famed Thompson Vineyard, which has produced legendary Syrahs for 20 years. Newer sites, such as Martian Ranch, Watch Hill, and The Third Twin, show equal promise. Despite being a very small region, Alisos Canyon is defined by several different soils, all of which have either sandstone or shale in their parent material. In the southeast, at Martian and Alisos, there is Chamise shaly and sandy loam. This acidic shale seems to imbue the wines, Syrah in particular, with brightness and lift even at higher sugars/alcohols. Across the road, at Thompson, is Tierra Sandy Loam, an alluvial soil providing more textural breadth in the wines. The Third Twin (formerly Los Tres Burros), Sine Qua Non’s site above Thompson, shifts into San Andreas-Tierra Complex, a much sandier, sandstone-derived soil. As we shift toward the mouth of the canyon, particularly at Watch Hill, we see very sandy Arnold series soils, making this prime real estate for Grenache in particular.
The climate is also ideal for Rhone grapes, a Goldilocks-like balance between not-too-hot and not-too-cold. “For Rhones, Alisos Canyon is still a cool area and fairly uniform in temperature from its mouth east of the 101 most of the way to Foxen Canyon,” says Craig Jaffurs of Jaffurs Wine Cellars. “As cool as it is, it is somewhat sheltered and warm enough that everything can get ripe yet have the long hang time that lets the flavors develop. Things can get ripe without being crazy sweet.” Kunin elaborates on this idea, stating “Alisos is in the Eastern corner of the hypothetical Los Alamos AVA, and so benefits from the warmer airflow of the Santa Ynez Valley. This tempers the predominantly cool coastal breezes that dominate the flats farther West and make them better suited to Pinot Noir and Chardonnay. In general, I think that it is this hybrid airflow pattern that defines Los Alamos.” Many have suggested that Alisos Canyon should have its own AVA. Larry Finkle of Coastal Vineyard Care farms many of the sites here (impeccably, I might add), and believes in the potential of not only the Valley as a whole, but Alisos in particular. “I believe that Los Alamos Valley is special and deserves its own appellation,” says Finkle. “However, Alisos Canyon Road is unique and dominated by Rhone varieties. As you move west of the town of Los Alamos, the dominant varieties are Chardonnay, Pinot Noir, and Riesling. For this reason there should probably be at least two sub-appellations.”
Moving just north of Alisos Canyon, before the town of Los Alamos, we head into the Los Alamos flats along Highway 101. Lucas & Lewellen owns most of the land here, and has long advocated for the potential of Los Alamos. Their vineyards contain a wealth of interesting grape varieties, 20 in all, ranging from Nebbiolo and Freisa to Dolcetto and Malvasia Bianca, functioning as a great window into what unexpected grapes may potentially shine in Los Alamos. Soil here is alluvial, mostly Botella series (also prominently found in the southern Sta. Rita Hills). As we continue up Highway 101, past the town of Los Alamos, we start to get into bigger plantings, often owned by larger companies such as Beringer, Kendall-Jackson, and Sutter Home. This could go some ways toward explaining the lack of an AVA for Los Alamos Valley: these larger labels often blend the wines into Central Coast or even North Coast designated wines, rarely vineyard-designating or even putting Santa Barbara County on the label. “With so many large producers/growers in the area, there hasn’t been the grassroots inertia to garner the acclaim, promote the region or gather data for an AVA application,” explains Kunin.
Cat Canyon is the next area of note, located in the northern Los Alamos Valley, just east of Highway 101. While there are still some bigger corporate plantings, there are also two of the valley’s most noted sites: Verna’s and White Hawk. Verna’s Vineyard, owned by the Melville family, has served as the source for their more affordable Pinot Noirs, Chardonnays, and Syrahs. These are some of the top values in California today, particularly the Pinot Noir, driven by a purity of place and a strong core of hard spice. Jaffurs also produces a superb Syrah from Verna’s; to taste it next to their Thompson bottling is a great illustration of the large difference in site character between Alisos Canyon and Cat Canyon. Across the street from Verna’s is White Hawk, a lauded source for Syrah. Sine Qua Non’s Manfred Krankl has utilized this site for many years, and it is one of only two non-estate vineyards he continues to work with, while his protégé Maggie Harrison incorporates it into her flagship Syrah for her Lillian label. Ojai’s White Hawk Syrah shows wonderful restraint, with great structure, purity and spice. Viognier is promising from both sites as well, and Ojai recently produced a beautiful Sangiovese from White Hawk.
Both Verna’s and White Hawk are essentially gigantic sand dunes, dominated by Arnold and Corralitos sands, and quite a bit colder than the southern and eastern portions of Los Alamos Valley (on a map, it lines up roughly with the eastern Sta. Rita Hills and the Santa Maria Bench). One can taste it in the Syrah, which has more pronounced notes of peppercorn and leaner texture, as compared to the meatier, broader wines of Alisos Canyon. “Verna’s is a cooler site- you can see the fog in Santa Maria from the top of the hill-side block,” says Jaffurs. “The north (south facing) side of Cat Canyon is a different site from Verna’s which almost faces north – hence its relative coolness.”
The final region of note is the valley’s far western edge along Highway 135, not far from Vandenberg Air Force Base. As a resident of this part of Los Alamos, I can attest that it is very cold, very foggy, and very windy. Again, there are some bigger/more corporate plantings to be found here, though the quality remains high, particularly in cool climate whites from the large White Hills property, one of the coldest, westernmost vineyards in Santa Barbara County. The two star sites, however, are Kick On Ranch and Los Alamos Vineyard.
Kick On Ranch has garnered the most acclaim for, of all things, Riesling. This should not come as a surprise given the early success of Santa Maria and Sta. Rita Hills with Riesling and Gewurztraminer. Economics forced those areas to focus on Chardonnay and Pinot Noir, but these varieties remain and thrive in Los Alamos. Graham Tatomer was one of the first to latch on to this site for his Riesling-focused label, with his single-vineyard bottling a top example of the austere minerality to be found at Kick On. He has also recently planted Gruner Veltliner, a variety that should show great results here. Ojai’s Adam Tolmach has also been making beautiful Riesling, as well as Pinot Noir, from the vineyard. J. Brix are crafting gorgeous examples of Kick On across the varietal spectrum, including Riesling, Pinot Gris, and Pinot Noir in several different iterations (their Petillant Naturel Riesling is one of the top methode ancestrale sparklers I’ve tasted from California). Soil in this part of the valley is quite sandy, consisting of Arnold, Corralitos, Betteravia, and Tierra series. In Kick-On’s upper blocks, however, one finds fossils and large pieces of sandstone and shale. “The ancient-beach soil is mesmerizing,” says Emily Towe of J. Brix. “We can’t walk Kick On without stopping over and over to pick up shells, stones, fossils. It’s a whisper of history from when it was the bottom of the sea, long before it became the Valley of the Cottonwoods. The vines get to live in both worlds, in a way.” The minerality in the whites here is amazing, with intensity rarely found outside of Europe’s chilliest climes. Pinot Noir showcases an intriguing herbal side, with tomato leaf and root vegetable notes, along with dark fruit and spice highlights that are distinct from Sta. Rita Hills or Santa Maria. The other site of note is the legendary Los Alamos Vineyard. Ojai’s Adam Tolmach and Au Bon Climat’s Jim Clendenen operated from a barn on the property here in their earliest days. Gavin Chanin, who is now producing stunning Chardonnay and Pinot Noir from the vineyard, also has fond memories of his early time here. “During my first harvest in Santa Barbara I lived next door to Los Alamos vineyard in a bunk house, and we used to drink beer and watch them night harvest with huge flood lights,” recalls Chanin. “It’s got a lot of nostalgia for me.” Los Alamos Vineyard, like its neighbors in this part of the Valley, is quite sandy, with steep slopes and incredible exposures. Chardonnay exhibits an intense, almost searing minerality, with fruit playing a background role. These are not wines defined by aromatic intensity; rather, they are almost entirely about texture and mineral presence, in a fashion not found elsewhere in California. The Pinots exhibit a similar herbaceousness as that found in Kick On. “Los Alamos Vineyard is very unique,” says Chanin. “The wines are rich but held together with great acidity, freshness and minerality. It is my most coastal vineyard but also our warmest because Los Alamos is somewhat cut off from the ocean.” To taste the wines from Chanin, or Au Bon Climat through their “Historic Vineyard Series” bottlings, is a revelation: they are unlike any other Pinot Noir or Chardonnay from Santa Barbara County. These are site-driven, beautifully balanced wines that speak loudly of their origins.
So, what is the future for Los Alamos Valley? The winemakers I spoke with were divided: some believe an AVA would be beneficial, some believe it should be broken into several small AVAs, some believe only Alisos Canyon should have an AVA, and some believe there shouldn’t be any AVAs at all. Given the diversity of the region, this is no surprise. “I hate the idea of type casting Los Alamos because it has the potential to do so much at a very high level,” says Chanin. “Very often with AVAs people only want to plant/produce what the AVA is best known for.” Craig Jaffurs shares his skepticism at an overarching AVA, though believes Alisos Canyon may be worth designating. “The larger Los Alamos Valley has not shown enough distinction to warrant becoming an AVA. Alisos Canyon would be a worthy AVA in the same sense Ballard Canyon is.” Bryan Babcock, a Sta. Rita Hills veteran who has worked with such sites as El Camino and Loma Verde in Los Alamos Valley’s northern sector, is quick to caution against Pinot Noir becoming Los Alamos’ flagship variety, and also points to the challenges of fractured AVAs. “I would not hang my hat on Pinot, at least not yet. If you try to be a Pinot appellation, you will be crawling out from under the Sta. Rita Hills and the Santa Maria Valley for the next 100 years… Also be careful about fracturing your AVA and destroying any potential clout that you would have had otherwise. If you don’t put together a critical mass of interest and players, you will witness the still birth of your AVA.”
There are currently, to my knowledge, no plans in the works to establish an AVA within Los Alamos Valley, though there is constant talk about it among the area’s vintners. Perhaps we’ll never see an official designation for this area, which is a shame, as there are so many beautiful, unique wines coming from here. As Seth Kunin states, “the concentration of flavor combined with unique structure [in Los Alamos] allows for significant ageing. Certainly some of the best examples of older (5-10 year-old) Syrahs that I have tasted from Santa Barbara County come from Los Alamos.” I couldn’t agree more. With the influx of new producers working with the fruit here, and exciting new plantings such as Mike Roth’s Mullet site, there is renewed energy in Los Alamos, carrying on the work of early pioneers like Ojai, Au Bon Climat, and Bedford. Sites such as Thompson, Los Alamos Vineyard, White Hawk, and Verna’s are already legendary, and I have no doubt that we’ll be discussing Kick On Ranch, Martian, and Watch Hill with the same reverence in the years to come. I hope that, as we continue to further refine our knowledge of site in Santa Barbara County, we continue to argue the merits of place as passionately as those I spoke with have done here. It is this open dialogue and elegant exchange of ideas that will continue to elevate our area. A selection of Los Alamos bottlings to seek out:
I was a teenage indie rock obsessive. As such, I embraced the genre’s most lo-fi practitioners, particularly Guided By Voices. Their best works, Bee Thousand and Alien Lanes, are laden with tape hiss, false starts, songs that stop abruptly and cut into other songs, and a generally shambolic aesthetic; rather than trying to mask the economic shortcomings of their recording devices, they celebrated them, creating a whole universe that felt like a direct line from their bedroom to mine. In the past few years, a handful of vintners in California have taken an analogous approach in their winemaking and farming, creating soulful wines despite their shoestring budgets. Associated most closely with the natural wine movement, these are analog wines for a digital era, looking back to go forward. Mike Roth, formerly of Martian Ranch and now launching his own project, the aptly named Lo-Fi, has been at the forefront of this movement in Santa Barbara County. I met with him this week in the record-high heat at his new estate vineyard in Los Alamos to discuss the future and taste his first releases.
“So this is the Mullet,” declares Roth. “Business on the front slope, party on the back.” Roth’s vineyard name befits the nature of his new venture. While the approach and technique are quite serious and methodical, the project is meant to be fun and accessible, “wines for the proletariat” as Roth likes to refer to it. Planted just a few weeks ago, the vineyard was created using solely recycled materials from other local vineyards, installed by Roth with the help of friends and family. The steeper, southwest-facing front slope is planted to Gamay, while the gentler back slope is Cabernet Franc, unique varietal choices that have shown early promise in Los Alamos at other sites.
Roth gained notoriety at Martian for his idiosyncratic approach to farming, carrying heavy crop loads early on and dropping fruit late to offset our area’s tendency toward fall heat spikes, allowing for ripe fruit at low brix and in turn, lower alcohols. He plans to farm his estate in a similar fashion, with an approach that embraces the natural ecosystem as much as possible. “Farming here will be organic, though I’d really prefer to avoid any additions for the most part.” The soils at Mullet, like most of Alisos Canyon just east of here, are Chamise shale loam. These acidic shale-based soils, which contain a fair amount of clay, have shown great promise for Cabernet Franc in particular at sites such as Thompson and Martian. “Planting here is meter by meter. I hope to eventually dry farm it, there’s enough clay here that I think it could work,” states Roth.
Roth’s first release under the Lo-Fi label is as much a mission statement as a wine. Sourced from the organically farmed Coquelicot Vineyard near the Santa Ynez River, it is 100% Cabernet Franc, fermented with native yeasts, aged in neutral vessels, made entirely without the use of sulfur. Philosophically, it encapsulates everything Roth is about. “It definitely has a bit of a Bourgueil thing going on,” proudly states Roth. He is referencing one of the Loire Valley’s great Cabernet Franc regions, and while I see a family resemblance, I find his rendition under Lo-Fi to be distinctly Santa Ynez. Its generosity of fruit and texture are unmistakably California, and the herbal and spice nuances, which range from fresh tobacco and roasted tomato to exotic notes of Oaxacan mole negro and wild sage, aren’t found outside of this area. There is a similarity to other local practitioners working in an early-picked style- Lieu Dit, Roark, and Buttonwood– though the soulfulness of Roth’s take is his own.
While it is still early going for Roth’s new projects, I anticipate the future for his label and his vineyard highly, with forthcoming releases of Riesling, Chenin Blanc, and Gamay to fill out his portfolio. He is an artist working in the medium of grapes, following a vision that does not adhere to trends. As he dives into this new work, unencumbered by the expectations of others, I’m reminded of a classic Guided By Voices lyric: “Watch me jumpstart as the old skin is peeled See an opening and bust into the field Hidden longings no longer concealed”
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